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"Piero Chiara’s novel is at once a murder mystery and a lyrical study of desire, greed, and deception. The ending is simply stunning." —André Aciman, author of Call Me by Your Name Summer 1946. World War Two has just come to an end and there’s a yearning for renewal. A man in his thirties is sailing on Lake Maggiore in northern Italy, hoping to put off the inevitable return to work. Dropping anchor in a small, fashionable port, he meets the enigmatic owner of a nearby villa who invites him home for dinner with his older wife and beautiful widowed sister-in-law. The sailor is intrigued by the elegant waterside mansion, staffed with servants and imbued with mystery, and stays in a guest...
A delightfully Italian mystery, with undercurrent of satire, which keeps the reader guessing. Every Thursday for three years, Signora Giulia takes the train to Milan to visit her daughter. But one Thursday she simply disappears. And the case is left in your hands. You're a born detective, but you have so many unanswered questions - how can a young, beautiful high society woman just vanish into thin air? Why does her husband - a prominent criminal lawyer and much older man - know nothing about it? And who was she really visiting during those trips to Milan? For Detective Sciancalepre, the mystery is darker and more tangled than he imagined. Shadows are lurking in the grounds behind Giulia's h...
This bibliography lists English-language translations of twentieth-century Italian literature published chiefly in book form between 1929 and 1997, encompassing fiction, poetry, plays, screenplays, librettos, journals and diaries, and correspondence.
The cafe is not only a place to enjoy a cup of coffee, it is also a space - distinct from its urban environment - in which to reflect and take part in intellectual debate. Since the eighteenth century in Europe, intellectuals and artists have gathered in cafes to exchange ideas, inspirations and information that has driven the cultural agenda for Europe and the world. Without the café, would there have been a Karl Marx or a Jean-Paul Sartre? The café as an institutional site has been the subject of renewed interest amongst scholars in the past decade, and its role in the development of art, ideas and culture has been explored in some detail. However, few have investigated the ways in which...
While Plato extols inspired poetry (as opposed to poetry produced by means of technique), Aristotle conceives of poetry only in terms of technê. Underlying the opposition between inspiration and technique are two different approaches to 'form': inspiration is concerned with the impression of ideas or forms within the poet's psyche (the author's forma mentis), whereas technique deals with the transposition of the artist's idea into the material form of the work (the forma operis). This dual view of form, and of its complex relation to matter, may be said to lie at the basis of a dual approach to aesthetic issues - a psychological and a textual one. Taking their cue from this opposition, the ...
"Shows why historical fiction matters ... This haunting tale stayed with me."—Cara Black, author of Three Hours in Paris In a grand Paris apartment, a young girl attends gatherings regularly organized by her mother. The women talk about beauty secrets and gossip, but the mood grows dark when the past, notably World War II, comes under coded discussion in hushed tones. Years later, the silent witness to these sessions has become a prominent historian, and with this chilling autobiographical novel she sets out to unmask enigmatic figures in and around her family. Why, she seeks to understand, did they betray their Jewish neighbors and zealously collaborate with the Nazi occupation of France, remaining for decades hence obsessive devotees of that evil lost cause.
As prickly as a chestnut, this little hardshelled story from the Italian countryside is full of the ribald realism which began many years ago with Boccaccio. In Luino, in the years just before Fascism when the nineteenth century drew to a long-overdue close, Emerenziano Paronzini, a dour but distinguished looking man of 45, takes up residence, eyes the rather unattractive sisterhood -- all unwed -- Tarsilla, Fortunata and Camilla, and eventually proposes to Fortunata.
Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals July - December)
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