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Transatlantic Voyages and Sociology explores the transatlantic journeys which have inspired American and European sociologists and contributed to the development of sociology in Europe and in North America. Furthering our understanding of the very complex processes which affect the diffusion of ideas, it sheds light on the diverse influences which come into play, be they on an individual, institutional or political level. With an international team of experts investigating the reciprocal influence of sociological thought on either side of the Atlantic, this volume will appeal to any scholar interested in the history of sociology, the mutual influence of systems of thought, and the migration of ideas.
An expansive take on American Art Deco that explores Chicago's pivotal role in developing the architecture, graphic design, and product design that came to define middle-class style in the twentieth century Frank Lloyd Wright’s lost Midway Gardens, the iconic Sunbeam Mixmaster, and Marshall Field’s famed window displays: despite the differences in scale and medium, each belongs to the broad current of an Art Deco style that developed in Chicago in the first half of the twentieth century. This ambitious overview of the city’s architectural, product, industrial, and graphic design between 1910 and 1950 offers a fresh perspective on a style that would come to represent the dominant mode o...
From a National Book Award winner, “an indictment of a system that values accumulation, shareholder profit . . . over . . . self-sufficiency, and solidarity.” (Robert Neuwirth, author of Stealth of Nations: The Global Rise of the Informal Economy) John Crowe Ransom's Land! is a previously unpublished work that unites the accomplished literary scholar’s poetic sensibilities with an examination of economics at the height of the Great Depression. Politically charged with Ransom's aesthetic beliefs about literature and his agrarian interpretation of economics, Land! was long thought to have been burned by its author after he failed to find a publisher. Thankfully, the manuscript was discov...
"Designing Women, Dialogues with Pioneering Women Designers (1850-1950)" is an imaginary series of conversations the author envisions among fourteen female legends of the interior and furniture design industry. As such, "Designing Women," evokes a slipstream genre-bending writing style. Set in the male dominated business climate of the 1850's to the 1950's, many of these female designers were never given proper credit for their work; the recognition was frequently accorded to their male counterparts and collaborators. "Designing Women," explores their background and uncovers their personalities, egos and the interpersonal dynamics involved in their professional life. The individual chapters ...
Sheridan presents a literary biography of one of the most important writers of the 20th century--an intimate portrait of the reluctantly public man, whose work was deeply and inextricably entangled with his life. 35 halftones.
When Frida Kahlo, died, her husband Diego Rivera asked the poet Carlos Pellicer to turn the Blue House into a museum that the people of Mexico Could visit to admire the work of the artista. Pellicer selected those of Frida's paintings which were in the house, along with drawings, photographs, books, and ceramics, maintaining the spaces just as Frida and Diego had arranged them t olive and work in. The resto f the objects, clothing, documents, drawings, and letters, as well as over 6.000 photographs collected by Frida in the course of her life, were put away in bathrooms converted into storerooms.
Dans ce livre, Pierre Combret de Lanux examine les relations entre la Yougoslavie, la France et les Serbes. Il explore les alliances politiques et analysent les événements historiques qui ont façonné ces relations. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Lavishly illustrated, this book provides a comprehensive exploration of the work of Jean-Michel Frank, an important French modernist designer.