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Pierre Macherey and the Case of Literary Production
This collection revisits A Theory of Literary Production (1966) to show how Pierre Macherey’s remarkable—and still provocative—early work can contribute to contemporary discussions about the act of reading and the politics of formal analysis. Across a series of historically and philosophically contextualized readings, the volume’s contributors interrogate Macherey’s work on a range of pressing issues, including the development of a theory of reading and criticism, the relationship between the spoken and the unspoken, the labor of poetic determination and of literature’s resistance to ideological context, the literary relevance of a Spinozist materialism, the process of racial sub...
A Theory of Literary Production
Who is more important: the reader, or the writer? Originally published in French in 1966, Pierre Machereys first and most famous work, A Theory of Literary Production dared to challenge perceived wisdom, and quickly established him as a pivotal figure in literary theory. The reissue of this work as a Routledge Classic brings some radical ideas to
The Object of Literature
At once a theoretical meditation of great originality and a historical work of scrupulous scholarship, this new book by Pierre Macherey is his first dealing with literature and theory since his seminal A Theory of Literary Production. Continuing the project of Althusserian theory, Macherey engages in a series of close exegeses of classical texts in French literature and philosophy, from the late eighteenth century down to the 1970s, that explore the historically variable but thematically similar ways in which literary texts represent philosophical ideas. Throughout the book, Macherey shows the conceptual sophistication--and broad intellectual influence--that literary art has displayed in the modern period.
In a Materialist Way
Best known for his work in literary criticism, Pierre Macherey has, over the past two decades, produced a series of original philosophical works. This first collection of his philosophical writings to be published in English discloses the full range of Macherey's interventions, testifying to his signal status as one of France's leading philosophers. In a Materialist Way ranges over Macherey's writings on philosophy and theory, critiques of the work of major figures in contemporary French thought such as Lacan, Foucoult and Canguilhem, and analyses of the work of Spinoza. It reveals to English-speaking audiences what has long been common knowlege in France: that Pierre Macherey is among the most fertile, imaginative and subtle of contemporary philosophers.
Yale French Studies
None
Hegel Or Spinoza
The first English-language translation of a classic work of French philosophy
A Theory of Literary Production
Who is more important: the reader, or the writer? Originally published in French in 1966, Pierre Macherey's first and most famous work, "A Theory of Literary Production" dared to challenge perceived wisdom, and quickly established him as a pivotal figure in literary theory. In this provocative work, Macherey puts the focus as much on the reader as the writer, stating that the very act of reading is a form of production in its own right, generating interpretation and meanings which are beyond the control of the author. Part of the birth of a whole new branch of post-structuralist theory, Macherey's work also influenced a new generation of critics among them Jacques Derrida, his contemporary, and Terry Eagleton. His ideas have also led some observers to claim that he announced the death of the author fully two years before Roland Barthes' famous essay.
Theory of Literary Production
Who is more important: the reader or the writer? This text, originally published in French in 1966, dared to challenge perceived wisdom. Part of the birth of a whole new branch of post-structuralist theory, Macherey's work argues persuasively for a totally new way of reading as the focus is on the reader.
Reading Capital
Originally published in 1965, Reading Capital is a landmark of French thought and radical theory, reconstructing Western Marxism from its foundations. Louis Althusser, the French Marxist philosopher, maintained that Marx's project could only be revived if its scientific and revolutionary novelty was thoroughly divested of all traces of humanism, idealism, Hegelianism and historicism. In order to complete this critical rereading, Althusser and his students at the cole normale suprieure ran a seminar on Capital, re-examining its arguments, strengths and weaknesses in detail, and it was out of those discussions that this book was born. Previously only available in English in highly abridged form, this edition, appearing fifty years after its original publication in France, restores chapters by Roger Establet, Pierre Macherey and Jacques Rancire. It includes a major new introduction by tienne Balibar.
The Object of Literature
This 1995 book by Pierre Macherey was his first dealing with literature and theory since his seminal A Theory of Literary Production. Continuing the project of Althusserian theory, Macherey engages in a series of close exegeses of classical texts in French literature and philosophy, from the late eighteenth century down to the 1970s, that explore the historically variable but thematically similar ways in which literary texts represent philosophical ideas. Rejecting the simple notion that literature deploys philosophical topoi in an unmediated manner, Macherey shows the conceptual sophistication - and broad intellectual influence - that literary art has displayed in the modern period. At once a theoretical meditation of great originality and a historical work of scrupulous scholarship, The Object of Literature will entrench Pierre Macherey's already considerable reputation as one of the most significant contemporary theoreticians of literature.
