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The Collaborators
A noir set in the seediest backwaters of the French publishing industry, The Collaborators tells the story of a hapless drifter who, after years of not particularly heroic effort, finally manages to write a book. A good book? A bad book? Well, it's complicated-and soon the complications he's set in motion spiral entirely out of control. Praised by Pierre Bayard in How to Talk About Books You Haven't Read, and finally available in English by one of our greatest translators, The Collaborators is both a sinister thriller and a comedy of outrageous proportions. Under the title Ferdinaud Celine, The Collaborators was published in French in 1997 to great acclaim.
Crime Scenes
The essays in this collection are based on papers given at a conference on detective fiction in European culture, held at the University of Exeter in September 1997. The range of topics covered is designed to show not only the presence and variety of narratives of detection across different European countries and their different media (although there is a predictable emphasis on the novel). It also illustrates the fertility of the genre, its openness to a spectrum of readings with different emphases, formal as well as thematic. Approaches to detective fiction have often tended to confine them-selves to ‘symptomatic’ interpretation, where details of the fictional world represented are use...
The Pleasures of Crime
For 150 years the French public and literati have enjoyed a love affair with crime fiction. This book investigates the nature of this relationship and how through periods of dramatic social and political change in France it has flourished. It challenges the conventional view of a popular genre feeding a niche market, depicting crime fiction instead as a field of creative endeavour, which has gradually matured into one of considerable literary fertility. By inviting us to share secrets and crack codes, creating suspense and (at times) not shirking from presenting horrific events in graphic language, the crime story brings into play the intellect and emotions of its readership. This book explo...
A Philosophy of Evil
Despite the overuse of the word in movies, political speeches, and news reports, "evil" is generally seen as either flagrant rhetoric or else an outdated concept: a medieval holdover with no bearing on our complex everyday reality. In "A Philosophy of Evil," however, acclaimed philosopher Lars Svendsen argues that evil remains a concrete moral problem: that we're all its victims, and all guilty of committing evil acts. "It's normal to be evil," he writes--the problem is, we have lost the vocabulary to talk about it. Taking up this problem--how do we speak about evil?--"A Philosophy of Evil" treats evil as an ordinary aspect of contemporary life, with implications that are moral, practical, and above all, political. Because, as Svendsen says, "Evil should neither be justified nor explained away--evil must be fought."
Beyond Return
In Beyond Return, Lucas Hollister examines the political orientations of fictions which 'return' to forms that have often been considered sub-literary, regressive, outdated or decadent, and suggests new ways of reading contemporary adventure novels, radical noir novels, postmodernist mysteries, war novels and dystopian fictions.
The Splendor of Portugal
In this brutal dissection of guilt, victimhood, self-hatred, betrayal, and atrocities both political and domestic, Antunes proves once more that he is the foremost stylist of his generation, a fearless investigator of the worst excesses of the human animal.
The Shadow of a Blue Cat
Businessman Yuki Yajima is fifty-one years old. He and his wife, Asako, are the parents of two daughters: Ryo, seventeen, and Yuka, an infant of only two months. Asking himself why he's allowed himself to become a father again at his age, Yuki begins to remember his uncle, who died quite young--younger, indeed, than Yuki is now. Thinking of this man, whom the young Yuki idolized, and who first introduced the boy to authors like Kenzaburo Oe and the Marquis de Sade, serves as a strange tipping point: allowing a sense of chaos and complexity back into his otherwise well-heeled life. A rare work of fiction focused simply on a man of integrity--a dying breed, in novels--"The Shadow of a Blue Cat" meticulously renders his life and opinions as Yuki tries to find a middle path between the radicalism of his uncle's life and the quiet bourgeois home he's worked so hard to build.
The Laurels of Lake Constance
Marie Chaix loves her father Albert, who was one of the first French citizens to join the Fascist party in 1936 and became a collaborator with the Germans, but must come to terms with his catastrophic political career.
House of the Fortunate Buddhas
A searingly funny and passionate fictional monologue of woman who refuses to accept the constraints of life in 1950s Brazil.
The House of Ulysses
Juli'n R'os's latest comic extravaganza is at once a serious literary excavation and a lecture as delivered by Groucho Marx on the subject of that great (and often imposing) cornerstone of world literature: James Joyce's "Ulysses." Every book is born out of an earlier book (or books), and much as Joyce's novel unraveled Homer scene by scene, R'os's "The House of Ulysses" returns the favor, giving us the story of several bickering characters hoping to get to the bottom of Joyce's masterpiece (by force, if necessary), their conversation walking the line between a slapstick parody of the Joyce industry and a legitimate "guide for the perplexed." Focusing on each of Ulysses' characters, ideas, and references in turn, "The House of Ulysses" provides a playful, punning, ideal companion for the experienced Joycean and cautious Ulysses-procrastinator alike: one novel dreaming its way through another.
