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Something Understood
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Labyrinth of Digressions
With their appearance during the 1760s, the five instalments of Laurence Sterne’s The Life and Opinions of Tristram Shandy, Gentleman caused something like a booksellers’ hype. Small publishers and anonymous imitators seized on Sterne’s success by bringing out great numbers of spurious new volumes, critical or ironic pamphlets, and works that in style and title express a congeniality with Tristram Shandy. This study explores these eighteenth-century imitations as indicators of contemporary assumptions about Sterne’s intentions. Comparisons between the original, the first reactions, and a number of late eighteenth-century imitations, show that Tristram Shandy was initially read agains...
A Practical Guide to Lexicography
This is a state-of-the-art Guide to the fascinating world of the lexicon and its description in various types of dictionaries. A team of experts brings together a solid Introduction to Lexicography and leads you through decision-making processes step-by-step to compile and design dictionaries for general and specific purposes. The domains of lexicography are outlined and its specific terminology is explained in the Glossary. Each chapter provides ample suggestions for further reading. Naturally, electronic dictionaries, corpus analysis, and database management are central themes throughout the book. The book also "introduces" questions about the many types of definition, meaning, sense relations, and stylistics. And that is not all: those afraid to embark on a dictionary adventure will find out all about the pitfalls in the chapters on Design. A Practical Guide to Lexicography introduces and seduces you to learn about the achievements, unexpected possibilities, and challenges of modern-day lexicography.
This Noble Craft...
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The Savage and Modern Self
The Savage and Modern Self examines the representations of North American "Indians" in novels, poetry, plays, and material culture from eighteenth-century Britain. Author Robbie Richardson argues that depictions of "Indians" in British literature were used to critique and articulate evolving ideas about consumerism, colonialism, "Britishness," and, ultimately, the "modern self" over the course of the century. Considering the ways in which British writers represented contact between Britons and "Indians," both at home and abroad, the author shows how these sites of contact moved from a self-affirmation of British authority earlier in the century, to a mutual corruption, to a desire to appropriate perceived traits of "Indianess." Looking at texts exclusively produced in Britain, The Savage and Modern Self reveals that "the modern" finds definition through imagined scenes of cultural contact. By the end of the century, Richardson concludes, the hybrid Indian-Brition emerging in literature and visual culture exemplifies a form of modern, British masculinity.
The Rhetoric of Diversion in English Literature and Culture, 1690–1760
Why did eighteenth-century writers employ digression as a literary form of diversion, and how did their readers come to enjoy linguistic and textual devices that self-consciously disrupt the reading experience? Darryl P. Domingo answers these questions through an examination of the formative period in the commercialization of leisure in England, and the coincidental coming of age of literary self-consciousness in works published between approximately 1690 and 1760. During this period, commercial entertainers tested out new ways of gratifying a public increasingly eager for amusement, while professional writers explored the rhetorical possibilities of intrusion, obstruction, and interruption through their characteristic use of devices like digression. Such devices adopt similar forms and fulfil similar functions in literature as do diversions in culture: they 'unbend the mind' and reveal the complex reciprocity between commercialized leisure and commercial literature in the age of Swift, Pope, and Fielding.
Language Mapping
The Handbook of Language Mapping aims to explore the core methodological and theoretical approaches of linguistic cartography. In both empirical and theoretical linguistics, the spatial variation of language is of increasing interest and the visualization of language in space is therefore also of growing significance. It is the precondition for correct data interpretation. But how does it work? What has to be considered when drawing a map? And how has the problem been tackled so far? This book provides answers to such questions by taking a closer look at the theoretical issues surrounding cartography and at the concrete practice of mapping. The fundamental issues raised are addressed particu...
1650-1850
Rigorously inventive and revelatory in its adventurousness, 1650–1850 opens a forum for the discussion, investigation, and analysis of the full range of long-eighteenth-century writing, thinking, and artistry. Combining fresh considerations of prominent authors and artists with searches for overlooked or offbeat elements of the Enlightenment legacy, 1650–1850 delivers a comprehensive but richly detailed rendering of the first days, the first principles, and the first efforts of modern culture. Its pages open to the works of all nations and language traditions, providing a truly global picture of a period that routinely shattered boundaries. Volume 28 of this long-running journal is no ex...
Defining and Redefining Space in the English-Speaking World
Contacts, on the individual and institutional levels and in the political and aesthetic spheres, lead to redefinitions of existing identities through frictions and, sometimes, clashes. Focusing on the material conditions of such contacts, frictions, and clashes, this volume particularly explores their essentially spatial nature, highlighting the stakes of such definitions and redefinitions of space. Efforts at defining and mapping spaces, physical experiences of contacts, frictions and clashes, tensions between different groups or genres and literary or political competition for space and influence lead to geographical, social, political, and aesthetic, but also bodily and psychological, definitions and redefinitions.
The Appearance of Print in Eighteenth-Century Fiction
Eighteenth-century fiction holds an unusual place in the history of modern print culture. The novel gained prominence largely because of advances in publishing, but, as a popular genre, it also helped shape those very developments. Authors in the period manipulated the appearance of the page and print technology more deliberately than has been supposed, prompting new forms of reception among readers. Christopher Flint's book explores works by both obscure 'scribblers' and canonical figures, such as Swift, Haywood, Defoe, Richardson, Sterne and Austen, that interrogated the complex interactions between the book's material aspects and its producers and consumers. Flint links historical shifts in how authors addressed their profession to how books were manufactured and how readers consumed texts. He argues that writers exploited typographic media to augment other crucial developments in prose fiction, from formal realism and free indirect discourse to accounts of how 'the novel' defined itself as a genre.
