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This groundbreaking book tells the untold story of Indonesian Islam in museums. Often overshadowed by Hindu-Buddhist art, Indonesian Islamic heritage rarely receives the attention it deserves in museum collections and exhibitions. This book unravels the historical silences rooted in Dutch colonial rule that have marginalized Indonesian Islamic material culture. Delving into the colonial archives, it traces the journey of Indonesian objects in Dutch museums, exploring their original meanings and their re-appropriation during instances of collecting, classification, interpretation and public display. Through this lens, the book addresses the enduring impacts of colonialism and offers pathways for the decolonization of museums today.
Central Javanese temples were not built anywhere and anyhow. On the contrary: their positions within the landscape and their architectural designs were determined by socio-cultural, religious and economic factors. This book explores the correlations between temple distribution, natural surroundings and architectural design to understand how Central Javanese people structured the space around them, and how the religious landscape thus created, developed. Besides questions related to territory and landscape, Degroot's book analyzes the structure of the built space and its possible relations with conceptualized space, showing the influence of imported Indian concepts, as well as their limits. Going off the beaten track, this book explores the hundreds of small sites that scatter the landscape of Central Java. It is also one of very few studies to apply the methods of spatial archaeology to Central Javanese temples and the first in almost a century to present a descriptive inventory of the remains of this region.
Museum collections are often perceived as static entities hidden away in storerooms or trapped behind glass cases. By focusing on the dynamic histories of museum collections, new research reveals their pivotal role in shaping a wide range of social relations. Over time and across space the interactions between these artefacts and the people and institutions who made, traded, collected, researched and exhibited them have generated complex networks of material and social agency. In this innovative volume, the contributors draw on a broad range of source materials to explore the cross-cultural interactions which have created museum collections. These case studies contribute significantly to the...
In this book the concept of mobility is explored for the archaeology of the Amazonian and Caribbean region. As a result of technological and methodological progress in archaeology, mobility has become increasingly visible on the level of the individual. However, as a concept it does not seem to fit with current approaches in Amazonian archaeology, which favour a move away from viewing small mobile groups as models for the deeper past. Instead of ignoring such ethnographic tyrannies, in this book they are considered to be essential for arriving at a different past. Viewing archaeological mobility as the sum of movements of both people and objects, the empirical part of Amotopoan Trails focuse...
During their colonial rule over Indonesia, the Dutch collected art objects. For each object they exported to The Netherlands they had to leave a similar object in Indonesian care. In most cases the best quality objects remained in Indonesia. Thus a collection was built that consists of two complementary parts. This book describes the history of this collection and provides a unique insight into the way colonial powers collected art and at the same time tried to be just. In December 2005, the two halves of the collection were displayed together for the first time ever in De Nieuwe Kerk in Amsterdam. This book marks that historic occasion. The Dutch and Indonesian collections are the top two Indonesian Art collections in the world. This book shows the highlights of both these collections in relation to each other. All objects were photographed especially for this book; many of the objects are unique and have never been photographed before.
Ritual language, wild and domestic animals, and objects of material culture like houses, palaces, and works of art, are often loaded with symbolic meaning. Reading the landscape , or giving meaning to the natural environment, is a cultural act as well, and one must discover what mountains, coastlines, and islands mean to different groups of people. In this book, written on the occasion of Professor Reimar Schefold s retirement from the Department of Cultural Anthropology at Leiden University, colleagues and former students from the Netherlands and abroad demonstrate the variety and wealth of the field of symbolic anthropology. The regional focus of the book is Indonesia. The studies presented range from small island communities in western, northern, and eastern Indonesia to urban settlements in Java and Sumatra. All the contributions are in one way or another related to Reimar Schefold s work over the past thirty-five years, work that includes extensive studies on material culture, rituals, and the use of symbols in the expression of ethnicity among the various cultural groups of Indonesia.
This unique collection applies globalization concepts to the discipline of archaeology, using a wide range of global case studies from a group of international specialists. The volume spans from as early as 10,000 cal. BP to the modern era, analysing the relationship between material culture, complex connectivities between communities and groups, and cultural change. Each contributor considers globalization ideas explicitly to explore the socio-cultural connectivities of the past. In considering social practices shared between different historic groups, and also the expression of their respective identities, the papers in this volume illustrate the potential of globalization thinking to brid...
The mention of Buddhism in Indonesia calls to mind for many people the Central Javanese monument of Borobudur, one of the largest Buddhist monuments in the world and the subject of extensive scholarly scrutiny. The neglect of scholarship on Buddhist art from later periods might lead one to assume that after the tenth century Buddhism had been completely eclipsed by the predominantly Hindu Eastern Javanese dynasties. Yet, as the works discussed here illustrate, extraordinary Buddhist images were still being produced as late as the fourteenth century. Violence and Serenity offers a close examination of some of the impressive works from East Java and Sumatra and explores their political and rel...
Museums, Collections and Social Repair in Vietnam analyses the relationship between museums, collections and social repair in contemporary Vietnam. Drawing on fieldwork in a range of museums in the country, alongside interviews with museum workers and stakeholders, and analyses of museum exhibitions, the book explores how museums help ordinary people overcome loss suffered during conflict. Focusing on key objects in museum collections that elicit strong emotions or feelings, Graeme Were examines their relationship to social repair and transformation, in order to understand what mobilises survivors, families and communities to recover and re-evaluate memory and give prominence to grievances a...