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neurology A fully updated and authoritative neurology resource The Queen Square Textbook has established itself as a favourite companion to clinical neurosciences training and teaching around the world, whilst retaining its role as an invaluable reference guide for physicians and other healthcare professionals working in neurology, general medicine and related specialties. The book continues to reflect the core values essential to the practice of clinical neurology in the 21st century. The third edition has been extensively revised and updated to take account of the rapid pace of progress in the neurosciences and patient care. Contemporary neurology has been changed by the COVID-19 pandemic,...
This 1995 book is a detailed study of Sicilian life and economy in the 'transitional' reign of Frederick III (1296-1337).
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The Leopard is a modern classic which tells the spellbinding story of a decadent, dying Sicilian aristocracy threatened by the approaching forces of democracy and revolution. 'There is a great feeling of opulence, decay, love and death about it' Rick Stein In the spring of 1860, Fabrizio, the charismatic Prince of Salina, still rules over thousands of acres and hundreds of people, including his own numerous family, in mingled splendour and squalor. Then comes Garibaldi's landing in Sicily and the Prince must decide whether to resist the forces of change or come to terms with them. 'Every once in a while, like certain golden moments of happiness, infinitely memorable, one stumbles on a book or a writer, and the impact is like an indelible mark. Lampedusa's The Leopard, his only novel, and a masterpiece, is such a work' Independent INCLUDES RECENTLY DISCOVERED NEW MATERIAL 'Perhaps the greatest novel of the century' L.P. Hartley 'The poetry of Lampedusa's novel flows into the Sicilian countryside...a work of great artistry' Peter Ackroyd
Dalla collana "CONCEPTS Arte" di ARPANet: Il dipinto è una soglia da varcare: una volta saltati dentro, il mondo esterno non ha più spazio, né tempo, mentre l'immaginario ci pervade in ogni senso. La linea è oltrepassata. La narrazione esplora l’opera d’arte dall’interno e allestisce un punto di vista invertito, esponendo l’identità dell’artista e seguendone i movimenti attorno alla tela, che si fa porta, apertura, passaggio magico. Risuonano gli echi delle cose conosciute, perché il viaggio dentro l’opera d’arte è, in fondo, un percorso traslato ma parallelo a quello esterno. Intorno, un’atmosfera densa, così vera da rendere veri i sogni, e le favole storia. Chi è dentro, e chi fuori, e da che parte conduce la linea di fuga?
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