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The Equilibrium of Human Syntax
This book assembles a collection of papers in two different domains: formal syntax and neurolinguistics. Here Moro provides evidence that the two fields are becoming more and more interconnected and that the new fascinating empirical questions and results in the latter field cannot be obtained without the theoretical base provided by the former. The book is organized in two parts: Part 1 focuses on theoretical and empirical issues in a comparative perspective (including the nature of syntactic movement, the theory of locality and a far reaching and influential theory of copular sentences). Part 2 provides the original sources of some innovative and pioneering experiments based on neuroimaging techniques (focusing on the biological nature of recursion and the interpretation of negative sentences). Moro concludes with an assessment of the impact of these perspectives on the theory of the evolution of language. The leading and pervasive idea unifying all the arguments developed here is the role of symmetry (breaking) in syntax and in the relationship between language and the human brain.
Monteverdi and the Marvellous
Integrating musical and poetic analysis, this book sheds new light on the experience of listening to Monteverdi's path-breaking madrigals. The music of this pivotal figure reveals how composers and performers at the turn of the seventeenth century not only responded to but themselves influenced experiments in language.
Romance Languages and Linguistic Theory 2001
The volumes "Romance Languages and Linguistic Theory" published in the series "Current Issues in Linguistic Theory "contain the selected papers of the "Going Romance" conferences, a major European annual discussion forum for theoretically relevant research on Romance languages."Romance Languages and Linguistic Theory 2001" is the third such volume. It presents a selection of the papers that have been presented at the occasion of "Going Romance 2001 (XV)" which was held at the University of Amsterdam on December 6-8, 2001. The three-day program included a workshop on Determiners. The volume contains articles on specifics of one or more Romance languages or varieties: the architecture of the Determiner Phrase and properties of determiners, the left periphery of the sentence and clause structure, null elements and their interpretation, clitics, and other interesting phenomena in the Romance languages.
The Martyred Inquisitor: The Life and Cult of Peter of Verona (†1252)
Peter Martyr was one of the central Dominican saints of the thirteenth century, in some cases eclipsing Dominic himself. Born in Verona around 1206 to those with Cathar sympathies, he became a convert to Catholicism. As one of the first generations of Dominicans, he represents aspects of their primitive history both as a spellbinding preacher and as one of the earliest and most famous papal inquisitors. In 1252, shortly after his official appointment to the post of inquisitor for Lombardy, Peter was assassinated at the hands of a cabal of Milanese heretics. That there is no modern monograph on Peter represents a considerable lacuna in the study of medieval saints. This work therefore fills a...
Mary, Music, and Meditation
Burdened by famine, the plague, and economic hardship in the 1500s, the troubled citizens of Milan, mindful of their mortality, turned toward the veneration of the Virgin Mary and the creation of evangelical groups in her name. By 1594 the diversity of these lay religious organizations reflected in microcosm the varied expressions of Marian devotion in the Italian peninsula. Using archival documents, meditation and music books, and iconographical sources, Christine Getz examines the role of music in these Marian cults and confraternities in order to better understand the Church's efforts at using music to evangelize outside the confines of court and cathedral through its most popular saint. Getz reveals how the private music making within these cults, particularly among women, became the primary mode through which the Catholic Church propagated its ideals of femininity and motherhood.
A Renaissance Court
Ambitious, extravagant, progressive, and sexually notorious, Galeazzo Maria Sforza inherited the ducal throne of Milan in 1466, at the age of twenty-two. Although his reign ended tragically only ten years later, the young prince's court was a dynamic community where arts, policy making, and the panoply of state were integrated with the rhythms and preoccupations of daily life. Gregory Lubkin explores this vital but overlooked center of power, allowing the members of the Milanese court to speak for themselves and showing how dramatically Milan and its ruler exemplified the political, cultural, religious, and economic aspirations of Renaissance Italy.
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