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Translation and film adaptation of theatre have received little study. In filling that gap, this book draws on the experiences of theatrical translators and on movie versions of plays from various countries. It also offers insights into such concerns as the translation of bilingual plays and the choice between subtitling and dubbing of film.
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"Writers, publishers, readers and scholars have stopped apologising for the short story: the genre is no longer a bad investment, a trial-exercise for a novel or a minor entertainment, as demonstrated by exceptional writers with an almost exclusive dedication to it, such as Jorge Luis Borges, Alice Munro, Quim Monzâo or Cristina Fernâandez Cubas. With deep roots in classic and medieval literatures, and great achievements in the nineteenth- and twentieth-centuries, the genre of the short story, which benefits from the linguistic tightness of poetry and the narrative comforts of the novel, has finally been recognised as having a (hybrid) identity of its own. This volume re-edits and expands ...
Beginning with a reassessment of the 1920s and 30s, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.
Throughout Spain's tumultuous twentieth century, women writers produced a dazzling variety of novels, popular theater, and poetry. Their work both reflected and helped to transform women’s gender, family, and public roles, carving out new space in the literary canon. This multilingual collection of essays by both scholars and creative artists explores the diversity of Spanish women's writing, both celebrated and forgotten. Contributors: Nicole Altamirano, Marta E. Altisent, Emilie L. Bergmann, Alda Blanco, Sara Brenneis, Kathleen M. Glenn, P. Louise Johnson, Jo Labanyi, Geraldine Cleary Nichols, Pilar Nieva de la Paz, Soledad Puértolas, Clara Sánchez
Deals with cultural studies
The study examines the ways in which these writers portray their positioning in relation to dominant cultural models of the time and their engagement with political and social issues in a period of changing gender dynamics and political instability. In broader terms, this book examines the complex relationships between memory, writing, and identity, and thus contributes to the growing field of explorations of the workings of memory in narrative."--BOOK JACKET.
In this collection of 65 short poems, Roberta Quance exemplifies the range, vitality and mysticism of work by one of Spain's foremost, if controversial, contemporary female poets, drawing on the contents of a number of Spanish collections. In Atencia's poetry the poetic subject is often seen as someone who occupies an interior space, either crossing over the threshold from the outside world to an inner one (a garden, a house, a castle), or moving from the inner, home space to one even more interior: the world of dreams and imagination and hope, which can project outward into liminal spaces of the sky or the sea. A very basic paradox of Christian mystical experience – of abasement and magni...
Publisher Description
Crítica genética y edición de manuscritos contemporáneos. Aportaciones a una «poética de transición entre estados» reúne artículos de renombrados teóricos de crítica textual y de crítica genética europeos e hispanoamericanos, además de los análisis de filólogos hispánicos, también autores de ediciones críticas y/o responsables de archivos literarios. En el marco de dos encuentros internacionales centrados en los problemas que plantea la edición de manuscritos de trabajo (llamados también antetexto o dossier genético) hispánicos contemporáneos, los investigadores buscaron tender un puente entre dos orillas: España e Hispanoamérica; entre diversas épocas: de la Edad...