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Under violent military dictatorship, Operation Condor and the Dirty War scarred Argentina from the mid-1970s to the early 1980s, leaving behind a legacy of repression, state terror, and political murder. Even today, the now-democratic Argentine government attempts to repair the damage of these atrocities by making human rights a policy priority. But what about the other Dirty War, during which Argentine civilians--including indigenous populations--and foreign powers ignored and even abetted the state's vicious crimes against humanity? In this groundbreaking new work, David Sheinin draws on previously classified Argentine government documents, human rights lawsuits, and archived propaganda to illustrate the military-constructed fantasy of bloodshed as a public defense of human rights. Exploring the reactions of civilians and the international community to the daily carnage, Sheinin unearths how compliance with the dictatorship perpetuated the violence that defined a nation. This new approach to the history of human rights in Argentina will change how we understand dictatorship, democracy, and state terror.
This volume foregrounds Pina Bausch, Romeo Castellucci and Jan Fabre as three leading directors who have each left an indelible mark on post-war European theatre. Combining in-depth discussions of the artists' poetics with detailed case studies of several famous and lesser-known key works, the authors featured in this volume trace a range of foundational aesthetic strategies that are central to the directors' work: the dynamics of repetition vis-à-vis fragmentation, the continued significance of language in experimental theatre and dance, the tension between theatricality and the performative reality of the stage, and the equal importance attached to text, image and body. This volume develops a vivid picture of how European stage directors have continued to redefine their own position and role throughout the latter half of the 20th century.
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'In Spite of Everything invites us into the lives of twenty-two ordinary, but also extraordinary women. Part Ellen DeGeneres, part Studs Terkel, Leila Peters allows the women to tell their own stories'about their lives, their challenges, their relationships. The women trust her'and us'enough to share their difficulties and failures as well as their joys and successes and we are richer for their honesty. Although these women share being in long-term lesbian relationships, their lives are incredibly varied. We have much to learn from them about loving and living well.' Dr. Nancy Marie Robertson, Director of Women's Studies Indiana University/ Purdue University. Indianapolis ?Leila Peters has c...
This volume foregrounds Pina Bausch, Romeo Castellucci and Jan Fabre as three leading directors who have each left an indelible mark on post-war European theatre. Combining in-depth discussions of the artists' poetics with detailed case studies of several famous and lesser-known key works, the authors featured in this volume trace a range of foundational aesthetic strategies that are central to the directors' work: the dynamics of repetition vis-à-vis fragmentation, the continued significance of language in experimental theatre and dance, the tension between theatricality and the performative reality of the stage, and the equal importance attached to text, image and body. This volume develops a vivid picture of how European stage directors have continued to redefine their own position and role throughout the latter half of the 20th century.
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Living sustainably is not just about preserving the wilderness or keeping nature pristine. The transition to a green economy depends on cities. For the first time in human history, the majority of the people on the planet live in urban areas. If we are to avert climate catastrophe, we will need our cities to coexist with nature without destroying it. Many places are already investing in the infrastructure of the future—including renewable energy, energy efficiency, mass and personal transit, and advanced sewage and waste management—but the modern city still has a long way to go. In The Sustainable City, Steven Cohen provides a broad and engaging overview of the urban systems of the twent...
This book is the first to focus specifically on the exile-poetry link in the case of Argentina since the 1950s. Throughout Argentina's history, authors and important political figures have lived and written in exile. Thus exile is both a vital theme and a practical condition for Argentine letters, yet conversely, contemporary Argentina is a nation of immigrants from Europe and the rest of Latin America. Poetry is often perceived as the least directly political of genres, yet political and other forms of exile have impinged equally on the lives of poets as on any group. This study concentrates on writers who both regarded themselves as in some way exiled and who wrote about exile. This selection includes poets who are influential and recognised, but in general have not enjoyed the detailed study that they deserve: Alejandra Pizarnik, Juan Gelman, Osvaldo Lamborghini, Nestor Perlongher, Sergio Raimondi, Cristian Aliaga, and Washington Cucurto.
David Naar, son of Joshua Naar and Sarah Cohen D'Azevedo, was born 10 November 1800 in St. Thomas, West Indies. He married Sarah Cohen D'Azevedo, his first cousin and daughter of Moses Cohen D'Azevedo, 8 May 1803. They had fifteen children. Descendants and relatives lived mainly in New Jersey and New York.