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Self-Orientalization in South East Europe
The collapse of communist systems in South East Europe resulted in a landscape to be newly arranged. Diverse forces compete to capture the popular energies released by the embrace of old and new identities. Deficits of modernization in a post communist nexus have deepened cultural asymmetries and challenge EU integration in new ways. Drives to rule of the “strong hand”, feod-like patron-client relations, “self-orientalization” as result of dilettante “social engineering” and unrealistic cultural politics increase the entropy of transition. Plamen K. Georgiev discusses the most controversial issues of a possible accession of Turkey into EU and its impact on a number of collective identities as Bulgaria, Macedonia, Romania, Croatia, vulnerable to Islamic fundamentalism, but also new breeds of nationalisms. This comparative study prompts apt ideas for EU coordinated national politics, fostering its cultural homogeneity and integrity in a global world of rising risks and new responsibilities.
Corruptive Patterns of Patronage in South East Europe
This book is the author’s response to the initial wave of democracy euphoria in South-East Europe, and the obvious regress of it after the “last catch” accession of Bulgaria and Romania (2007) into the European Union family. A core deficit in this respect is the lack of sustainable patronage, relevant to modern societal existence. 1 The bitter fruits of some “dilemma of simultaneity” (Elster 1990), which might have failed to precisely predict the impossibility of transformation in Eastern - rope, has hit the target, as related to the breeds of “impatient capitalisms” that - vour the region. Rising institutional asymmetries, the neglected “rule of law”, the lack of procureme...
Ethnic Minorities and Politics in Post-Socialist Southeastern Europe
Southeast European politics cannot be understood without considering ethnic minorities. This book is a comprehensive introduction to ethnic political parties.
The Aftermath of Defeats in War
This book sets out to explain the variation in nations’ reactions to their defeats in war. Typically, we observe two broad reactions to defeat: an inward-oriented response that accepts defeat as a reality and utilizes it as an opportunity for a new beginning, and an outward-oriented one that rejects defeat and invests national energies in restoring what was lost—most likely by force. This volume argues that although defeats in wars are humiliating experiences, those sentiments do not necessarily trigger aggressive nationalism, empower radical parties, and create revisionist foreign policy. Post-defeat, radicalization will be actualized only if it is filtered through three variables: national self-images (inflated or realistic), political parties (strong or weak), and international opportunities and constraints. The author tests this theory on four detailed case studies, Egypt (1967), Turkey/Ottoman Empire, Hungary and Bulgaria (WWI), and Islamic fundamentalism.
Living and Working in Sofia
Western popular images of Bulgaria are still fused with stereotypes about "the Balkans" as a peripheral "Other." In these constructions, cities and contemporary urban life hardly figure at all. This book presents a variety of urban livelihood strategies, social relations, and personal agencies in the context of social and cultural change. A central task of social anthropology is to bring the unfamiliar into focus, and this urban ethnographic study contributes to a better understanding of Sofia as a major city in contemporary Europe. (Series: lines. Beitrage zur Stadtforschung aus dem Institut fur Ethnologie der Universitat Hamburg - Vol. 7)
Deporting Europeans
In Deporting Europeans, Ioana Vrăbiescu examines how states within the European Union (EU) collaborate in the policing and deportation of EU citizens within EU territory. Vrăbiescu argues that the deportation of EU citizens reifies existing inequalities between central states, like France, and peripheral states, like Romania. By highlighting the massive deportation of Romanians from France, Vrăbiescu showcases these inequalities and the intricacies of EU geopolitics.
Popular Music and the Moving Image in Eastern Europe
Popular Music and the Moving Image in Eastern Europe is the first collection to discuss the ways in which popular music has been used cinematically, from musicals to music videos to documentary film, in Eastern Europe from 1945 to the present day. It argues that during the period of state socialism, moving image was an important tool of promoting music in the respective countries and creating popular cinema. Yet despite this importance, filmmakers who specialized in musicals lacked the social prestige of leading 'auteurs' and received little critical attention. The resulting scholarly prejudice towards pop culture created a severe shortage of critical studies of the genre. With the fall of state socialism - and with it, the need for economically viable film and media industries - brought about an unprecedented upsurge of films utilizing popular music, and a greater recognition of popular cinema as a legitimate object of study. Popular Music and the Moving Image in Eastern Europe fills the gap and demonstrates why the popular music-cinema interface needs to be theorized with respect to the political, ideological, and social forces invested in popular culture.
Orientalismus heute
Was ist der Orient–und wer bestimmt das? Wie reden wir heute über den arabischen Raum, aber auch über Iran und Indien, welche Traditionen des Sprechens und Schreibens gibt es, und was sagen Texte und Bilder über die 'andere' Kultur über die eigene aus? Diesen und anderen Fragen widmen sich internationale Literatur- und Kulturwissenschaftler_innen im vorliegenden Sammelband. Den Rahmen steckt der von Edward W. Said 1978 geprägte Begriff des 'Orientalismus' ab, der über 40 Jahre nach der Erstpublikation von Saids gleichnamiger Studie von besonderer Aktualität und Brisanz ist: In einer zunehmend von Überfremdungsängsten geprägten westlichen Gesellschaft ist der Rechtspopulismus wied...
