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Musical Instruments
A reference guide to musical instruments.
Extended Notation
Most of the extended instrumental playing techniques, as well as electroacoustic music in general, are still deprived of a conventional method of notation. In order to facilitate the utilization of these unconventional musical elements, a coherent and consistent notation system is developed in this work. Numerous extended techniques for playing string instruments, wind instruments, percussion instruments, keyboard instruments and vocal techniques are therefore systematically explained and previous methods of notation discussed.
The Science of String Instruments
Thomas D. Rossing String instruments are found in almost all musical cultures. Bowed string instruments form the backbone of symphony orchestras, and they are used widely as solo inst- ments and in chamber music as well. Guitars are used universally in pop music as well as in classical music. The piano is probably the most versatile of all musical inst- ments, used widely not only in ensemble with other musical instruments but also as a solo instrument and to accompany solo instruments and the human voice. In this book, various authors will discuss the science of plucked, bowed, and hammered string instruments as well as their electronic counterparts. We have tried to tell the fascinating st...
A Performer's Guide to Renaissance Music, Second Edition
Vocal/choral issues. The solo voice in the Renaissance / Ellen Hargis ; On singing and the vocal ensemble I / Alexander Blachly ; On singing and the vocal ensemble II / Alejandro Planchart ; Practical matters of vocal performance / Anthony Rooley -- Wind, string, and percussion instruments. Recorder ; Renaissance flute / Herbert Myers ; Capped double reeds : crumhorn--Kortholt--Schreierpfeif / Jeffery Kite-Powell ; Shawm and curtal / Ross Duffin ; Racket : rackett, Rankett (Ger.), cervelas (Fr.), cervello (It.) / Jeffery Kite-Powell ; Bagpipe / Adam Knight Gilbert ; Cornett / Douglas Kirk ; Sackbut / Stewart Carter -- Bowed instruments / Wendy Gillespie -- The violin / David Douglass -- Pluc...
The Cambridge Guide to Orchestration
Demonstrating not only how to write for orchestra but also how to understand and enjoy a score, The Cambridge Guide to Orchestration is a theoretical and practical guide to instrumentation and orchestration for scholars, professionals and enthusiasts. With detailed information on all the instruments of the orchestra, both past and present, it combines discussion of both traditional and modern playing techniques to give the most complete overview of the subject. It contains fifty reduced scores to be re-orchestrated and a wide range of exercises, which clarify complex subjects such as multiple stops on stringed instruments, harmonics and trombone glissandi. Systematic analysis reveals the orchestration techniques used in original scores, including seven twentieth-century compositions. This Guide also includes tables and lists for quick reference, providing the ranges of commonly used instruments and the musical names and terminology used in English, German, Italian and French.
Play The World: The 101 Instrument Primer
Play the World is the first and only world instrument primer featuring information on how to play 101 of the most popular and unique musical instruments from and cultures around the world. There are large pictures of every instrument from the ahoco of the Ivory Coast to the zheng of China, complete with detailed playing instructions, tunings, and important idiosyncratic techniques. the enclosed CD includes a performance of every instrument with accompanying notation in the text. This is an invaluable book for any musical world traveler.• the first and only 101 World Instrument Primer.• Pictures and description of 101 unique instrument from around the world.• Includes tunings, playing instructions, special technique and a piece per instrument.• Accompanying CD has a recording of the pieces on each instrument.
Music Classification Systems
Due to the distinctive nature of music as a separate "language" that non-musicians are often unable to read or understand, the cataloging and classification of music materials frequently present special challenges. In response to this often problematic situation, this volume is designed to introduce the principles of music classification to beginning music catalogers, as well as to non-specialist catalogers, and those who only occasionally deal with music materials. It will surely relieve the stress level for general catalogers by providing practical guidelines as well as clarifying and explaining the most commonly used classification systems in the United States—the Dewey Decimal Classification (DDC), the Library of Congress Classification (LCC), and the Alpha-Numeric System for Classification of Recordings (ANSCR). Also included is a general historical overview of music classification, from early attempts to organize specific collections, to the efforts of Oscar Sonneck and others to adapt fundamental principles of classification to the distinctive characteristics of music materials; as well as a discussion of the special needs of the users of those materials.
