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A Companion to Contemporary British and Irish Poetry, 1960 - 2015
A comprehensive and scholarly review of contemporary British and Irish Poetry With contributions from noted scholars in the field, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a collection of writings from a diverse group of experts. They explore the richness of individual poets, genres, forms, techniques, traditions, concerns, and institutions that comprise these two distinct but interrelated national poetries. Part of the acclaimed Blackwell Companion to Literature and Culture series, this book contains a comprehensive survey of the most important contemporary Irish and British poetry. The contributors provide new perspectives and positions on the topic. This impo...
Farm by the Shore
In Farm by the Shore, Thomas A Clark explores the landscape and culture of the Scottish highlands and islands through experience of covering the ground. His notations and fragments keep the precarious balance between sea and land, wilderness and civilisation. Everything is played out in a context of weather. The spaces between the poems, which both link and divide them, are shades of quiet, indications of time or distance, or graphs of the vagaries of attention. In such a climate, to farm, or walk, or write, is to persist. You come to one thing and then another. // 'With radical simplicity, Thomas A Clark's writing gives us the unfussy beauty of the natural world. There's not much that I ask of poetry that isn't present here.' Matthew Welton
Acrobats of Sound
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The Resurrectionists
The living and the dead are working side by side in John Challis's dramatic debut collection, The Resurrectionists. Whether in London's veg and meat markets, far below the Dartford Crossing, or on the edge of the Western world, these poems journey into a buried and sometimes violent landscape to locate the traces of ourselves that remain. Amidst the political disquiet rising from the groundwater, or the unearthing of the class divide at the gravesides of plague victims, the veil between the living and the dead is at its thinnest when a child is born, and something close to hope for the future is resurrected.
Elmet
Fay Godwin is commonly regarded as this country's finest landscape photographer. Ted Hughes, who was born and brought up in the part of the world she has captured in these atmospheric studies, was inspired by them to provide a verse text, one of the most personal things he has written.
Text and Image in the City
The essays in this collection discuss how the city is ‘textualized’, and address many aspects of how texts and images are written and produced in, and about, cities. They demonstrate how urban texts and images provoke reactions, in city-dwellers, visitors, civic and political actors, that, in turn, impact upon the shape of the city itself. Many kinds of urban texts – both manuscript and print – are discussed, including chapbooks, periodicals, poetry, graffiti and street-signs. The essays derive from a range of disciplines including book history, urban history, cultural history, literary studies, art history and urban planning, and explore some key questions in urban cultural history,...
Amethysts and Emeralds
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Times; color: #000000} Amethysts and Emeralds is a selection of Daniel King’s awardwinning poetry, much of which has been published in journals around the world. The poems embrace a wide variety of forms, from free verse to sonnet, roundel, villanelle, and sestina. Thematically, too, the poems are very varied, ranging from the realist “Head in the Sand”, published in the prestigious London Magazine, to a song lyric from Shadows of 1876: The Wild Birds have Returned, a CD of mystical country music songs about historical fi gures and events from the United States in the year 1876. Most of the poems, however, are of a religious and/ or mystical theme: indeed, a large subset of the poems concerns the genesis and future life of Kalki, the tenth and final avatar of the Hindu God Vishnu (the Preserver), incarnating this time and forever together with Shiva (the Destroyer).
Concrete
LRB BOOKSHOP'S AUTHOR OF THE MONTH ONE OF THE GUARDIAN'S BEST BOOKS OF 2019WITH A NEW AFTERWORD BY MICHAEL HOFMANN'If you haven't read Bernhard, you will not know of the most radical advance in fiction since Joyce ... My advice: dive in.' Lucy Ellmann'I absolutely love Bernhard: he is one of the darkest and funniest writers ... A must read for everybody.' Karl Ove KnausgaardInstead of the book he is meant to write, Rudolph, a Viennese musicologist, produces this dark and grotesquely funny account of small woes writ large, of profound horrors detailed and rehearsed to the point of distraction. We learn of Rudolph's sister, whose help he invites then reviles; his 'really marvellous' house which he hates; the suspicious illness he carefully nurses; his ten-year-long attempt to write the perfect opening sentence; and his escape to the island of Majorca, which turns out to be the site of someone else's very real horror story, and ultimately brings him no release from himself.Concrete is Thomas Bernhard at his very finest: a bleakly hilarious insight into procrastination and failure that scratches the murky depths of our souls.
OTHER WORLDS.
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The Poetry of Radio
This book explores the idea of the poetic in radio and sound as well as the concept of pure sound as poetry, both historically and within a contemporary perspective, examining examples of makers and works internationally. The work examines the development of poetic forms in sound broadcasting historically and geographically through chapters taking narrative themes. It includes primary source material gathered through interviews conducted by the author with distinguished producers and poets. Among these are producers Piers Plowright, Matt Thompson, Alan Hall, Simon Elmes and Julian May (UK) Edwin Brys, (Belgium) Hildegard Westerkamp (Germany/Canada) Chris Brookes (Canada) Robyn Ravlitch, Mich...
