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Rhapsodies 1831
'Borel was the sun,' said Théophile Gautier, 'who could resist him?' Indeed, who? A lycanthrope, necrophile, absurd revolutionary, Paris dandy with a scented beard, flamboyant sufferer: a man with no grave and no memorial. His once celebrated red mouth opened briefly 'like an exotic flower' to complain of injustice and bourgeois vulgarity; of his frustration in love and reputation; of poverty and blighted fate. Then he withered in the minor officialdom of Algeria, where he died because he would not wear a hat, leaving a haunted house and a doubtful name. 'And now,' says his only biographer Dame Enid Starkie, 'he is quite forgotten.' Rhapsodies 1831 includes all the poems Borel wrote when he...
The Burnt Pages
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Best Poems
Best Poems consists of fair copies Gurney made, with few alterations. The Book of Five Makings is more a working draft, with recastings of the same poems, revealing the process by which he brought his art to completion. Of the 116 poems in this double volume, fewer than a quarter are previously collected. In his introduction R.K.R. Thornton, Professor of English at the University of Birmingham and editor of Gurney's poems and collected letters, sets the books in context. Annotations give readers a clear picture of the books as Gurney wanted them to be.
Thorpeness
A new collection from this widely-celebrated and much-loved poet.
Like a Tree, Walking
Shortlisted for the 2022 Jhalak Prize The Poetry Book Society Winter Choice 2021 Vahni Capildeo's Like a Tree, Walking is a fresh departure, even for this famously innovative poet. Taking its title from a story of sight miraculously regained, this book draws on Capildeo's interest in ecopoetics and silence. Many pieces originate in specific places, from nocturnes and lullabies in hilly Port of Spain to 'stillness exercises' recording microenvironments – emotional and aural – around English trees. These journeys offer a configuration of the political that makes a space for new kinds of address, declaration and relation. Capildeo takes guidance from vernacular traditions of sensitivity ranging from Thomas A Clark and Iain Crichton Smith to the participants in a Leeds libraries project on the Windrush. Like a Tree, Walking is finally a book defined by how it writes love.
The Books of Catullus
The Books of Catullus is the first full English translation to take the Roman poet at his word. Simon Smith's versions are scholarly yet eccentric, mapping theme and register to contemporary equivalents (such as poem 16, which echoes Frank O'Hara). He divides Catullus's complete verses into three 'books', the form in which it is thought the poems were originally received. 'Smith gets the all-important rhythm of Catullus, whose meters, like all else about this poet, are deceptively complex', writes Vincent Katz. 'He achieves a delicious frisson again and again by fusing the classical and the contemporary. The reader is repeatedly pleasured by unexpected felicities.' (Peter Hughes)
Brunizem
A NEW 2008 EDITION OF SUJATA BHATT'S CELEBRATED 1988 FIRST COLLECTION 'Brunizem' is a dark prairie soil found in Asia, Europe and North America, the three worlds of Sujata Bhatt's imagination. Born in India, her mother tongue Gujarati, Bhatt was educated in the United States and now lives in Germany. In Brunizem, her acclaimed first collection, she explores the richness and the conflicts of moving between cultures and languages, in poems that are passionate, direct and eloquent. Brunizem was awarded the Commonwealth Poetry Prize (Asia) and the Alice Hunt Bartlett Award. In 1994 Search for My Tongue was choreographed by Daksha Sheth and performed by the UK-based South Asian Dance Youth Company in nine cities in England and Scotland, under the title Tongues Untied.
Portraits of Poets
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Thinking with Trees
Shortlisted for the Michael Murphy Memorial Prize 2023 Winner of the Poetry Category OCM Bocas Prize for Caribbean Literature 2022 An Irish Times Best Poetry Books of 2021 A White Review Book of the Year 2021 Jason Allen-Paisant grew up in a village in central Jamaica. 'Trees were all around,' he writes, 'we often went to the yam ground, my grandmother's cultivation plot. When I think of my childhood, I see myself entering a deep woodland with cedars and logwood all around. [...] The muscular guango trees were like beings among whom we lived.' Now he lives in Leeds, near a forest where he goes walking. 'Here, trees represent an alternative space, a refuge from an ultra-consumerist culture......
