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Hereafter
This book draws from our quarter-of-a-century festival ‘celebration’, but it is not dedicated to ‘looking back’ on the way Sonic Acts, along with the world, has changed. Rather, it is devoted to finding ways of confronting and surviving the brutality of now. It contains a rare selection of critical essays on contemporary political and climate realities, colonial legacies of European projects, and racial and gender biases of contemporary technologies. Visual and textual contributions highlight an evocative approach to writing, merging field notes and memoir, to accurately capture the processes of making work fuelled by research. It also contains tender contributions that embed modes of discourse within the visual, in order to gauge the complexities and interconnections of this crisis and re-imagine a different reality.
Journeys from Interlaken and Prague
Journeys from Interlaken and Prague Two different lives, two different journeys . . . . A heroine and an unwilling antihero unknowingly cross paths only from a distance and their lives are changed forever. Fifteen year old Caroline Westermarck enjoys a peaceful existence with her expatriate American family in Switzerland. She adapts easily to adventure, and with her grandfather at the steering wheel of their car, soars over the Alps with her best friend Marta on a road trip to Munich. During her visit to Germany, Caroline revels in the everyday pleasures of a teenage girl – seeing the sights and meeting nice boys. But exposure to the fringes of the migrant crisis in Europe – from discuss...
Moscow Performances
The reviews and features collected in John Freedman's Moscow Performances bring to life the diversity, energy, and imagination of Russian theater as few books have done before. While focusing on the work of Moscow's leading directors - Pyotr Fomenko, Kama Ginkas, Valery Fokin, Anatoly Vasilyev, Konstantin Raikin, Sergei Zhenovach, Yury Lyubimov, and many others - also included in its review are key productions by many of the renowned guests who bring their art to the Russian capital. Essays on St. Petersburg's Lev Dodin (of the Maly Drama Theatre), Lithuania's Eimuntas Nekrosius, Georgia's Robert Sturua, and Germany's Peter Stein confirm that Moscow's position as a "theatrical mecca" has not diminished since Anatoly Lunacharsky coined the phrase in the 1920s. In addition to recording Freedman's immediate and opinionated responses to Moscow stage developments in the 1990s, Moscow Performances contains a wealth of information about the struggles and occasional triumphs of a new generation of talented but as yet unknown playwrights, the successes of the best actors, and the social and financial trends which have had such an impact on Russian theatre in the post-Soviet period.
Moscow Performances II
This is a collection of John Freedman's reviews and articles, most originally written for the Moscow Times, in which he focuses his expert critical eye on the directors, writers and actors who held centre stage during the 1996-97 theatre season in Moscow. The book looks at the debut of promising new artists and directors at the Moscow Art Theatre celebrating its 100th anniversary this year and offers a wealth of insight into the latest developments in Russian theatre. Freedman illuminates all of the season's noteworthy trends and events in clear, informed and unapologetically opinionated reports. More than just an overview of the stars and highlights, Moscow Performances II observes at close range the playhouses and the people who make up the ever-changing face of contemporary Russian theatre today. This volume is generously illustrated with photographs of featured productions and will be a useful reference for students, professors, writers, directors and actors in the fields of Russian studies, theatre studies, theatre history and contemporary culture.
The Russian Theatre After Stalin
This is the first book to explore the world of the theatre in Russia after Stalin. Through his work at the Moscow Art Theatre, Anatoly Smeliansky is in a key position to analyse contemporary events on the Russian stage and he combines this first-hand knowledge with valuable archival material, some published here for the first time, to tell a fascinating and important story. Smeliansky chronicles developments from 1953 and the rise of a new Soviet theatre, and moves through the next four decades, highlighting the social and political events which shaped Russian drama and performance. The book also focuses on major directors and practitioners, including Yury Lyubimov, Oleg Yefremov, and Lev Dodin, among others, and contains a chronology, glossary of names, and informative illustrations.
The Best Plays of 1997-1998
The yearbook gives listings of casts and technical personnel for on- and off-Broadway productions, a summary of the season, synopses and lengthy extracts of dialogue from the best plays, and facts and figures on the New York and regional theater.
American Theatre
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The Indo-European Puzzle Revisited
This book examines the impact of ancient DNA research and scientific evidence on our understanding of the emergence of Indo-European languages in prehistory. Offering cutting-edge contributions from an international team of scholars, it considers the driving forces behind the Indo-European migrations during the 3rd and 2nd millenia BC. The volume explores the rise of the world's first pastoral nomads the Yamnaya Culture in the Russian Pontic steppe including their social organization, expansions, and the transition from nomadism to semi-sedentism when entering Europe. It also traces the chariot conquest in the late Bronze Age and its impact on the expansion of the Indo-Iranian languages into Central Asia. In the final section, the volumes consider the development of hierarchical societies and the origins of slavery. A landmark synthesis of recent, exciting discoveries, the book also includes an extensive theoretical discussion regarding the integration of linguistics, genetics, and archaeology, and the importance of interdisciplinary research in the study of ancient migration.
