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The Drama of Russian Political History
In his introduction, Alexander Obolonsky notes that Russian history and life are full of paradoxes, most of them rather sad. Why, he asks, have the Russians, who have not only been endowed by nature with enormous natural, human, and intellectual resources, but who have also developed a great literary and scientific heritage and made significant contributions to world civilization, proved unable to arrange the conditions of their own existence to realize their great potential? “What fundamental deficiency,” he wonders, “made this great anomaly possible?”Alexander Obolonsky has undertaken the formidable task of reinterpreting Russian history from the Time of Troubles and the reign of I...
New Drama in Russian
How and why does the stage, and those who perform upon it, play such a significant role in the social makeup of modern Russia, Ukraine and Belarus? In New Drama in Russian, Julie Curtis brings together an international team of leading scholars and practitioners to tackle this complex question. New Drama, which draws heavily on techniques of documentary and verbatim writing, is a key means of protest in the Russian-speaking world; since the fall of the Soviet Union in 1991, theatres, dramatists, and critics have collaborated in using the genre as a lens through which to explore a wide range of topics from human rights and state oppression to sexuality and racism. Yet surprisingly little has b...
New Drama in Russian
The birth of a post-Maidan fringe -- 'Ukrainian New Drama' -- Conclusion -- Acknowledgements -- Notes -- Bibliography -- 10 The playwright overlooked -- Olena Apchel and 'decolonizing the actor' -- Teatr Lesi -- Bad Roads -- Moscow's Teatr.doc tour to PostPlay Theatre, November 2018 -- Ukrainian independent theatre -- 'Zaporizhzhian New Drama' -- 11 A new 'dawn' in Ukrainian theatre -- Note -- 12 Stages of change -- Notes -- Bibliography -- 13 'Ne skvernoslov', otets moy' ['Curse not, my son'] -- Anna Iablonskaia and transnational contexts.
Russian Television Today
Examining the role of dramatized narratives in Russian television, this book stresses the ways in which the Russian government under Putin use primetime television to express a new understanding of what it means to be Russian, answering key questions of national identity for modern Russians in dealing with their recent history: ‘What really happened to us?’ and, accordingly, ‘Why?’ The book covers important issues in Russian television today, including: the reworking of new ‘national’ on-screen heroes its relationship with classic literature the revisionist portrayal of a romantic portrait of life in the Soviet era the role of thematic elements such as love, fidelity, humour and irony the particularly pressing problem of crime and its representation on screen as Mafia or police adventure, and its political usage by the Putin administration. This book provides a detailed account of the critical issues in contemporary Russian television, relating them to broader social and political developments in Russian society.
A Russian Requiem
Two weeks before the right-wing coup attempt that split the Soviet Union, two men--one American, one Soviet--struggle with the personal and political crises brought on by perestroika. By the author of Leaving Losapas. 15,000 first printing.
Dimensions and Challenges of Russian Liberalism
Liberalism in Russia is one of the most complex, multifaced and, indeed, controversial phenomena in the history of political thought. Values and practices traditionally associated with Western liberalism—such as individual freedom, property rights, or the rule of law—have often emerged ambiguously in the Russian historical experience through different dimensions and combinations. Economic and political liberalism have often appeared disjointed, and liberal projects have been shaped by local circumstances, evolved in response to secular challenges and developed within often rapidly-changing institutional and international settings. This third volume of the Reset DOC “Russia Workshop” ...
Russian Tragifarce
"The tradition of Russian tragifarce can be characterized by its strong links to Russian political and cultural history and by its significant role in the development of Russian dramatic literature and theater practice. The book argues that the dualistic character of Russian tragifarce, which is close in spirit and philosophy to Bakhtin's understanding of the medieval carnival, embodies the ambivalent spirit of Russian culture and politics. The book further argues that the tragifarcical perception of the world can be seen as a national characteristic of the self-doubting and ironic Russian sensibility under the influence of a repressive political regime."--BOOK JACKET.
The Dramatic Works of Catherine the Great
The first in-depth study of Catherine the Great's plays and opera libretti, this book provides analysis and critical interpretation of the dramatic works by this eighteenth-century Russian Empress. These works are shown to be remarkable for their diversity, frank satire, topical subject matter, and stylistic innovations. O'Malley reveals comparisons to and influences from European traditions, including Shakespeare and Molière, and sets Catherine in the larger field of Russian literature in the period, further illuminating her relationship to the aesthetic debates of the period. The study investigates how Catherine expressed her social ideas throughout her drama and exploited the stage's power to promote political ideals and ideology. O'Malley sets close textual analysis within an historical framework, analyzing the major plays according to content, style, themes, characters, and relation to Catherine's life and political aims.
Dimensions and Challenges of Russian Liberalism
Liberalism in Russia is one of the most complex, multifaced and, indeed, controversial phenomena in the history of political thought. Values and practices traditionally associated with Western liberalism—such as individual freedom, property rights, or the rule of law—have often emerged ambiguously in the Russian historical experience through different dimensions and combinations. Economic and political liberalism have often appeared disjointed, and liberal projects have been shaped by local circumstances, evolved in response to secular challenges and developed within often rapidly-changing institutional and international settings. This third volume of the Reset DOC â€Russia ...
The Struggle for Power
In the autumn and winter months of 1923, a political drama took place in the Russian Communist Party, the consequences of which not only predetermined the tragic outcome in the personal fate of many of its participants but also, to a considerable extent, stipulated the character and orientation of the later events in the Party and the country as a whole. As Lenin lay dying, the once-powerful Bolsheviks were splitting into hostile groups. The "direct" and "indirect" heirs to power were moving into the light of history, each having his own identity and peculiar features, ambitions and purposes. This present collection of the archival materials is the first attempt to give more or less integral, scientific and documental presentation of the struggle at that stage. It is the aim of the author that these documents (mainly unknown or little-known, even in Russia) will enrich the source study store of the researchers dealing with the history of the Russian Communist Party of the 1920s, and will allow the introduction of certain corrections in historical concepts of that period.
