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In this "delightfully uncanny" collection of feminist retellings of traditional Japanese folktales (The New York Times Book Review), humans live side by side with spirits who provide a variety of useful services—from truth-telling to babysitting, from protecting castles to fighting crime. A busybody aunt who disapproves of hair removal; a pair of door-to-door saleswomen hawking portable lanterns; a cheerful lover who visits every night to take a luxurious bath; a silent house-caller who babysits and cleans while a single mother is out working. Where the Wild Ladies Are is populated by these and many other spirited women—who also happen to be ghosts. This is a realm in which jealousy, stu...
On a planet where men are contained in ghettoised isolation, women enjoy the fruits of a queer matriarchal utopia -- until a boy escapes and a young woman's perception of the world is violently interupted. Two old friends enjoy cocktails on a holiday resort planet where all is not as it seems. A bickering couple emigrate to a world that has worked out an innovative way to side-step the need for war, only to bring their quarrels (and something far more destructive) with them. And in the title story, Suzuki offers readers a tragic and warped mirroring of her own final days as the tyranny of enforced screen-time and the mechanistion of labour bring about a shattering psychic collapse. At turns nonchalantly hip and charmingly deranged, Suzuki's singular slant on speculative fiction would be echoed in countless later works, from Margaret Atwood and Harumi Murakami, to Black Mirror and Ex Machina. In these darkly playful and punky stories, the fantastical elements are always earthed by the universal pettiness of strife between the sexes, and the gritty reality of life on the lower rungs, whatever planet that ladder might be on.
_______________'Surreal and unsettling' - Observer Cultural Highlight'Wise, comical and exceptionally relatable' - Zeba Talkhani 'Quietly hilarious and deeply attuned to the uncanny rhythms and deadpan absurdity of the daily grind' - Sharlene Teo_______________A woman walks into an employment agency and requests a job that requires no reading, no writing - and ideally, very little thinking.She is sent to an office building where she is tasked with watching the hidden-camera feed of an author suspected of storing contraband goods. But observing someone for hours on end isn't so easy. How will she stay awake? When can she take delivery of her favourite brand of tea? And, perhaps more important...
Winner of the Akutagawa Prize, a sharp, photo-realistic novella of memory and thwarted hope 'He'd come to realise that it was a mistake to grind up his father's remains with such a thing. The mortar was lined with narrow grooves, a little too perfect for ashes to get stuck in.' Divorced and cut off from his family, Taro lives alone in one of the few occupied apartments in his block, a block that is to be torn down as soon as the remaining tenants leave. Since the death of his father, Taro keeps to himself, but is soon drawn into an unusual relationship with the woman upstairs, Nishi, as she passes on the strange tale of the sky-blue house next door. First discovered by Nishi in the little-kn...
*WINNER OF THE GOLDSMITHS PRIZE 2020* *A New Statesman Book of the Year* 'A mesmerising, mysterious book . . . Haunting. Worrying. Beautiful' Russell T. Davis 'Brilliantly unsettling' Olivia Laing 'A magificent book' Neil Gaiman 'An extraordinary experience' William Gibson Winner of the Goldsmiths Prize 2020, this is fiction that pushes the boundaries of the novel form. Shaw had a breakdown, but he's getting himself back together. He has a single room, a job on a decaying London barge, and an on-off affair with a doctor's daughter called Victoria, who claims to have seen her first corpse at age thirteen. It's not ideal, but it's a life. Or it would be if Shaw hadn't got himself involved in a...
This shocking, boisterous novel was a runaway bestseller and award winner in Japan: “Pressingly real . . . In these pages, you will find the lives of all of us” (Japan Times). Searingly honest and sexually explicit, So We Look to the Sky is a novel told in five linked stories that begin with an affair between a student and a woman ten years his senior, who picks him up for cosplay sex in a comics market. Their scandalous liaison, which the woman's husband makes public by posting secretly taped video online, frames all of the stories, but each explores a different aspect of the life passages and hardships ordinary people face. A teenager experimenting with sex and then, perhaps, experienc...
From the author of Winter in Sokcho, which won the 2021 National Book Award for Translated Literature. The days are beginning to draw in. The sky is dark by seven in the evening. I lie on the floor and gaze out of the window. Women's calves, men's shoes, heels trodden down by the weight of bodies borne for too long. It is summer in Tokyo. Claire finds herself dividing her time between tutoring twelve-year-old Mieko in an apartment in an abandoned hotel and lying on the floor at her grandparents: daydreaming, playing Tetris, and listening to the sounds from the street above. The heat rises; the days slip by. The plan is for Claire to visit Korea with her grandparents. They fled the civil war ...
Shortlisted for the Forward Prize for Best First Collection 'Impressive . . . tender, unflinching' Guardian 'This is poetry in the grand tradition of annihiliation by desire. It's what the young are always learning, and the old, if they are wise, never forget' Anne Boyer, author of The Undying 'Brilliant . . . heralds the arrival of a frank and vital poetic voice' Sharlene Teo, author of Ponti 'Frank and alert . . . an important voice in British poetry' Eley Williams, author of The Liar's Dictionary 'Direct and heart-breaking' Alex Dimitrov, author of Love and Other Poems 'A rare thing . . . razor-sharp' Julia Copus, author of This Rare Spirit: A Life of Charlotte Mew In Rotten Days in Late ...
Fat: such a little word evokes big responses. While ‘fat’ describes the size and shape of bodies, our negative reactions to corpulent bodies also depend on something tangible and tactile; as this book argues, there is more to fat than meets the eye. Fat: A Cultural History of the Stuff of Life offers a historical reflection on how fat has been perceived and imagined in the West since antiquity. Featuring fascinating historical accounts, philosophical, religious and cultural arguments, including discussions of status, gender and race, the book digs deep into the past for the roots of our current notions and prejudices. Three central themes emerge: how we have perceived and imagined obesity over the centuries; how fat as a substance has elicited disgust and how it evokes perceptions of animality; but also how it has been associated with vitality and fertility. By exploring the complex ways in which fat, fatness and fattening have been perceived over time, this book provides rich insights into the stuff our stereotypes are made of.