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In the Vanguard
In the Vanguard: Haystack Mountain School of Crafts, 1950–1969 traces the first two decades of the Haystack Mountain School of Craft’s history and its pivotal impact on the world of art and craft practice in the United States during the mid-twentieth century. The first scholarly investigation of this internationally renowned school, the exhibition, and the accompanying catalogue will feature work made at Haystack or influenced by time spent there by some of the most highly recognized names in the fields of fiber, glass, ceramics, jewelry, and graphic arts to demonstrate the school’s significant role in debates about art, craft, industry, and pedagogy in the United States during the 195...
Private Lives
Four "prophets" of art whose luminous work unfolds the mysteries of domestic life
The Maine Collection
Captures the details of the McLellan-Sweat House, which houses the Portland Museum of Art. Divider pages reflect the dedication to preserving this well-known landmark. Benefits restoration of the McLellan-Sweat House.
Clifford Ross
A moving and sophisticated investigation into the nature of vision. American artist Clifford Ross's photographic and video practices over the past thirty years reveal one of the most incisive and technically sophisticated investigations into the nature of vision in the medium's history. Clifford Ross: Sightlines showcases the range and depth of Ross's art by presenting the inexhaustible variety of visual experience he has created with just two primary subjects: mountain and sea. In our era of unprecedented environmental peril, his inventive exploration of these iconic subjects conveys a powerful creative engagement with landscapes that are both majestic and fragile.
Masterpieces of Painting from the Portland Museum of Art
24 full-color postcard reproductions reflect the Portland Museum's rich and varied holdings of paintings by American and European artists, among them Homer, Hopper, Wyeth, Sargent, da Vinci, Monet, Matisse and Magritte.
Georgia O'Keeffe and the Camera
From her appearance as a provocative young artist in Alfred Stieglitz's photographs to her depiction as a grande dame of the art world in silkscreens by Andy Warhol, Georgia O'Keeffe captivated the media with her image of a woman as bold as her art. This beautifully illustrated book tells the stories behind the portraits of one of the 20th century's foremost American painters. O'Keeffe's professional and personal relationships with the leading photographers of her time come to light, as does her ability to shape public perceptions of her career. Stieglitz first created photographs of his protegee posing in front of her abstract artworks as a manifestation of a sexually liberated woman. O'Keeffe later redefined her image, sometimes working with photographers at her homes in New Mexico, where she emerged as a rugged individualist among the animal bones and gnarled trees that she often painted. This publication brings together for the first time, photographs by Stieglitz, Newman, Loengard, Webb, and others--many of which probe fascinating tensions between abstractionism and realism in O'Keeffe's art. In addition, a selection of O'Keeffe's works chronicles the span of her long career.
Homer - Remington
"Exhibition catalogue on the work of Winslow Homer and Frederic Remington with a technical study of the objects"--
Walker Evans
The use of the visual arts to show us our own moral and economic situation has today fallen almost completely into the hands of the photographer. It is for him to fix and to reveal the whole aspect of our society: to record for use in the future our disasters and our claims to divinity. Walker Evans, photographing in New England or Louisiana, watching a Cuban political funeral or a Mississippi flood, working cautiously so as to disturb nothing in the normal atmosphere of the average place, can be considered a kind of disembodied, burrowing eye, a conspirator against time and its hammers. His photographs are the records of contemporary civilization in eastern American.~In the reproductions pr...
Frida Kahlo, Diego Rivera and Mexican Modernism
The self-portraits of Mexican artist Frida Kahlo are renowned for their dream-like quality and emotional intensity. A passionate woman endowed with an indomitable spirit, Kahlo overcame injury and personal hardship to become one of the world's most important female artists. Celebrated by the surrealists in her own lifetime, she has attained cult-like status both for her extraordinary art and her tempestuous love-life with her husband, Diego Rivera, Mexico's most prominent modern painter. An outstanding selection of paintings by Kahlo and Rivera form the core of this catalogue, which accompanies the National Gallery of Australia's exhibition. Jacques Gelman, the Russian emigre film producer, and his wife, Natasha, built up their collection over many years of acquaintance and collaboration with Mexico's greatest creative artists. It is now widely regarded as the most significant private holding of twentieth century American art.
Winslow Homer and the Poetics of Place
"Published in conjunction with the exhibition, Winslow Homer and the poetics of place, June 5 - September 6, 2010, which was organized by the Portland Museum of Art, Maine." -- p. 71.
