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Setting the Record Straight
The words surrounding music influence how we listen to it.
The Amadeus Book of the Violin
Available for the first time in English, this book has been considered the best single encyclopedia of the violin for 20 years. All aspects of the violin are covered: construction, history, and literature; violin playing and teaching; and violin virtuosos through the ages.
Béla Bartók
This research guide is an annotated bibliography of primary and secondary sources and catalogue of Bartók’s compositions. Since the publication of the second edition, a wealth of information has been proliferating in the field of Bartók research. The third edition of this research guide provides an update in this field and represents the multidisciplinary research areas in the growing Bartók literature.
Reader's Guide to Music
The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
Singing Schumann
Offering practical suggestions for the interpretation of all Schumann's solo and duet songs, this text provides for singers and pianists perspectives which can be used to bring to life the work of the German composer.
For the End of Time
Olivier Messiaen (1908-1992) was one of the great composers of the 20th century. The premiere of the French composer's Quartet for the End of Time on January 15, 1941 at -4 degrees Fahrenheit in Stalag VIIIA, a Nazi prison camp, has been called one of the great stories of 20th-century music. A devout Catholic with an interest in mysticism and the supernatural, Messiaen was also a poet and an accomplished amateur ornithologist. He mixed sounds as a painter mixes colours, associating specific shades with certain modes and chords. Quartet for the End of Time. Based on testimonies by the musicians and their families, witnesses to the premiere, former prisoners, and documents from Stalag VIIIA, t...
Composers in the Movies
Amadeus . . . Yankee Doodle Dandy . . . Swanee River . . . Rhapsody in Blue. Even before movies had sound, filmmakers dramatized the lives of composers. Movie biographies—or biopics—have depicted composers as diverse as Wolfgang Amadeus Mozart, George M. Cohan, Stephen Foster, and George Gershwin. In this enticing book, the first devoted entirely to such films, John C. Tibbetts surveys different styles and periods from the Hollywood of the 1920s and 1930s to the international cinema of today, exploring the role that film biographies play in our understanding of history and culture. Tibbetts delves into such questions as: How historically accurate are composer biopics? How and why have inaccuracies and distortions been perpetrated? What strategies have been used to represent visually the creative process? The book examines the films in several contexts and considers their role in commodifying and popularizing music. Extensive archival research, dozens of illustrations, and numerous interviews make this an appealing book for film and music enthusiasts at all levels.
Helen Taft
In this fascinating study, Lewis L. Gould has brought a shadowy first lady into the light and restored her to a rightful place as a patron of music. Helen Herron Taft came to the White House intent on establishing Washington, D.C., as the nation's cultural capital. A stroke in May 1909 made her a semi-invalid, impaired her speech, and disrupted her agenda. Historians have written her off as a shrewish figure who pushed her portly husband into the presidency. Gould challenges this outdated narrative with new information on Helen Taft's campaign to bring the best of classical music to the White House during her four years. He draws on prodigious research about the musicians who performed there...
The Italian Squad
At the turn of the twentieth century, thousands of Italian immigrants left their home country for the United States and, particularly, New York City. A small minority of the immigrants were members of a criminal syndicate that largely victimized fellow immigrants. The most common crime was a type of extortion known as "Black Hand." The methods of extortion were particularly violent, and included kidnapping, arson, and murder. The New York Police Department, unable to speak the language and unaware of the traditions of the immigrants, was virtually helpless in dealing with them. In 1904, Italian-American Lt. Detective Joseph Petrosino formed a group of Italian detectives to deal exclusively with the extortion crimes and the criminal underworld of Italian society in New York which had become known in the American press as "The Black Hand Society." This book tells the story of The Italian Squad from its inception, through Petrosino's death, to the squad's expansion into Queens and Brooklyn.
Images
Paris at the turn of the 20th century was obsessed with the interrelations of the arts. It was a time when artists and writers spoke of poetry as music, sounds as colors, and paintings as symphonies. The music of Claude Debussy, with its unique textures and dazzling colors, was the perfect counterpart to the bold new styles of painting in France. Paul Roberts probes the sources of Debussy's artistic inspiration, relating the "impressionist" titles to the artistic and literary ferment of the time. He also draws on his own performing experience to touch on all the principal technical problems for a performer of Debussy's piano music. His many suggestions about interpreting the music will be particularly valuable to performers as well as listeners.
