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Olivier Messiaen (1908-1992) was one of the great composers of the 20th century. The premiere of the French composer's Quartet for the End of Time on January 15, 1941 at -4 degrees Fahrenheit in Stalag VIIIA, a Nazi prison camp, has been called one of the great stories of 20th-century music. A devout Catholic with an interest in mysticism and the supernatural, Messiaen was also a poet and an accomplished amateur ornithologist. He mixed sounds as a painter mixes colours, associating specific shades with certain modes and chords. Quartet for the End of Time. Based on testimonies by the musicians and their families, witnesses to the premiere, former prisoners, and documents from Stalag VIIIA, t...
Since ancient times, music has demonstrated the incomparable ability to touch and resonate with the human spirit as a tool for communication, emotional expression, and as a medium of cultural identity. During World War II, Nazi leadership recognized the power of music and chose to harness it with malevolence, using its power to push their own agenda and systematically stripping it away from the Jewish people and other populations they sought to disempower. But music also emerged as a counterpoint to this hate, withstanding Nazi attempts to exploit or silence it. Artistic expression triumphed under oppressive regimes elsewhere as well, including the horrific siege of Leningrad and in Japanese...
Sharing from his own life, as well as the stories of others, Chuck Colson exposes the counterfeits of the good life and leads readers to the only true source of meaning and purpose, Jesus Christ. But he does that in an unusual way, allowing powerful stories to illustrate how people have lived out their beliefs in ways that either satisfy or leave them empty. Colson addresses seekers—people looking for the truth. He shows through stories that the truth is knowable and that the truly good life is one that lives within the truth. Through the book, readers get to understand their own stories and find answers to their own search for meaning, purpose, and truth.
Steeped in the Catholic spiritual tradition, The Sacramentality of Music argues that musical experience, in its appeal to the entirety of the human person, can serve as a locus of encounter with the divine and an occasion of God’s self-revelation in love, with spiritually nurturing, ultimately transformative, ends. Christina Labriolacontends that this dynamic might most aptly be understood as sacramental, an all-encompassing perspective of the cosmos permeated by the divine creative, salvific, sustaining presence. Through its participation in the mysteries of beauty and creativity, its bodily and affective engagement, and impact on the inner life, music operates sacramentally: manifesting ...
Central to the lives of the religiously committed are not simply religious convictions but also religious practices. The religiously committed, for example, regularly assemble to engage in religious rites, including corporate liturgical worship. Although the participation in liturgy is central to the religious lives of many, few philosophers have given it attention. In this collection of essays, Terence Cuneo turns his attention to liturgy, contending that the topic proves itself to be philosophically rich and rewarding. Taking the liturgical practices of Eastern Christianity as its focal point, Ritualized Faith examines issues such as what the ethical importance of ritualized religious activities might be, what it is to immerse oneself in such activities, and what the significance of liturgical singing and iconography are. In doing so, Cuneo makes sense of these liturgical practices and indicates why they deserve a place in the religiously committed life.
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For the three forces competing for political authority in France during World War II, music became the site of a cultural battle that reflected the war itself. German occupying authorities promoted German music at the expense of French, while the Vichy administration pursued projects of national renewal through culture. Meanwhile, Resistance networks gradually formed to combat German propaganda while eyeing Vichy’s efforts with suspicion. In The Musical Legacy of Wartime France, Leslie A. Sprout explores how each of these forces influenced the composition, performance, and reception of five well-known works: the secret Resistance songs of Francis Poulenc and those of Arthur Honegger; Olivi...
The German occupation of France from 1940 to 1945 presented wrenching challenges for the nation's artists and intellectuals. Some were able to flee the country; those who remained—including Gide and Céline, Picasso and Matisse, Cortot and Messiaen, and Cocteau and Gabin—responded in various ways. This fascinating book is the first to provide a full account of how France's artistic leaders coped under the crushing German presence. Some became heroes, others villains; most were simply survivors. Filled with anecdotes about the artists, composers, writers, filmmakers, and actors who lived through the years of occupation, the book illuminates the disconcerting experience of life and work within a cultural prison. Frederic Spotts uncovers Hitler's plan to pacify the French through an active cultural life, and examines the unexpected vibrancy of opera, ballet, painting, theater, and film in both the Occupied and Vichy Zones. In view of the longer-term goal to supplant French with German culture, Spotts offers moving insight into the predicament of French artists as they fought to preserve their country's cultural and national identity.
For Olivier Messiaen, music was a way of expressing his faith. He considered it his good fortune to have been born a Catholic and declared that 'the illumination of the theological truths of the Catholic faith is the first aspect of my work, the noblest and no doubt the most useful'. Messiaen is one of the most widely performed and recorded composers of the twentieth-century and his popularity is increasing, but the theological component of his music has so far largely been neglected, or dealt with superficially, and continues to provide a serious impediment to understanding and appreciating his music for some of his audience. Messiaen the Theologian makes a significant contribution to Messi...
Notes for Clarinetists: A Guide to the Repertoire offers historic and analytical information concerning thirty major works for solo clarinet, clarinet and piano, and clarinet and orchestra. This information will enhance performance and be useful in preparing and presenting concerts, and recitals.