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Historical Portraits
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Sir Joshua Reynolds
Sir Joshua Reynolds explores the ways in which portrait-painting is embedded in the social fabric of a given culture as well as in the social and professional transaction between the artist and his or her subject. In addition to providing a new view of Reynolds, Wendorf's book develops a thoroughly new way of interpreting portraiture.
Historical Portraits
Historical Portraits: Some Notes on the Painted Portraits of Celebrated Characters of England, Scotland, and Ireland is an excellent volume on art history, and more specifically portraiture. It is the work of English author and editor Henry Benjamin Wheatley containing reproductions and detailed entries on more than one hundred English, Irish, and Scottish portraits In Historical Portraits Wheatley remarks in his opening that the painting of portraits was one of the most widespread artistic endeavors in English history. The purpose of the book is thus to create a general catalogue of these works. The book is divided into chapters, each of which details a different segment of painted portrait...
English Painters
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English Painters, with a Chapter on American Painters
Reprint of the original, first published in 1883.
English Painters, with a Chapter on American Painters
"English Painters, with a Chapter on American Painters" by S. R. Koehler and H. J. Wilmot-Buxton is a concise reference of the evolution of painting in English society. Beginning with early English art and moving through the centuries and the types of painting, this book gives a brief but thorough overview of an incredibly wide topic. The book even includes multiple historic painters from a variety of genres.
The Elements of Life
In this bold new study, Wendorf compares two arts--biography and portrait-painting--that have often been linked in a casual way but whose historical connections have remained unexplored. Reassessing the great age of English portraiture--from the arrival of Van Dyck to the publication of Boswell's Life of Johnson--Wendorf reveals that, despite their obvious differences, visual and verbal portraits often shared similar assumptions about the representation of historical character. Rooted in modern theory devoted to the comparison of literature and painting and to the problem of representation, the book examines each form of portraiture in terms of the other, bringing into discussion such writers as Izaak Walton, John Evelyn, John Aubrey, Roger North, Goldsmith, Johnson, Mrs. Piozzi, Boswell, and such artists as Van Dyck, Lely, Samuel Cooper, Jonathan Richardson, Hogarth, and Reynolds.
