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Greek Pottery
This work deals with classical Greek pottery from a number of points of view - technique, period, place of production, function, shape, decoration and distribution. The book places an emphasis on the every-day uses of Greek pottery - as containers for water, wine, fish, honey and olives, for example - and does not treat it as art. The author explains the importance of clay as a fundamental natural resource in the lives of the ancient Greeks, stressing its versatility as a container in varying conditions of heat and cold. The book aims to offer a broad picture of Greek pottery that gives an idea of its variety and importance without dwelling too heavily upon the high-quality figured vases.
Greek Pottery from the Iberian Peninsula
This book catalogues and discusses all Archaic Greek pottery found on the Iberian Peninsula. The analysis of Greek pottery finds in Eastern Andalusia provides an exemplary study of trade in the Classical Age. The reader will find many insights in the pottery trade and the native Iberians view of Classical Greek pottery.
Greek Pottery from the Iberian Peninsula
Excavations on the Iberian Peninsula yield more and more Archaic and Classical Greek material every year. This is the first book to be published in English that discusses Archaic and Classical Greek pottery found in that area. The volume provides elaborate and up-to-date information. The first chapter (by A. Domínguez) is dedicated to Archaic pottery and covers the whole Peninsula; the second (by C. Sánchez) covers the Classical period, mainly based on the study of Attic pottery from Eastern Andalusia. Both chapters contain a catalogue with many illustrations. Not just finds are listed, but distribution and shape studies are included, as well as a discussion of how the local Iberian population viewed Attic painted pottery. The final chapter gives a general overview of trade, based upon the information presented in the previous chapters.
The Transformation of Athens
How remarkable changes in ancient Greek pottery reveal the transformation of classical Greek culture Why did soldiers stop fighting, athletes stop competing, and lovers stop having graphic sex in classical Greek art? The scenes depicted on Athenian pottery of the mid-fifth century BC are very different from those of the late sixth century. Did Greek potters have a different world to see—or did they come to see the world differently? In this lavishly illustrated and engagingly written book, Robin Osborne argues that these remarkable changes are the best evidence for the shifting nature of classical Greek culture. Osborne examines the thousands of surviving Athenian red-figure pots painted b...
Late Classical Pottery from Ancient Corinth
In 1971 in the southwestern area of the Roman Forum of Corinth a round-bottomed drainage channel was discovered filled with the largest deposit of pottery of the 4th century ever found in the city, some coins, terracotta figurines, and metal and stone objects. This volume publishes the pottery and metal and stone objects, and includes a re-examination of the coins by Orestes Zervos. Some of the cooking ware has been subjected to neutron activation analysis, and a statistical analysis of all recovered pottery has been completed. The contents of Drain 1971-1 are important for the function of the Classical buildings in this part of Corinth, especially Buildings I and II, and for the chronology of the renovation program that included the construction of the South Stoa, which was probably not built before the last decade of the 4th century.
Greek Pottery
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Pots and Pans of Classical Athens
By mingling images on well-preserved Greek vases with the more fragmentary ceramics recovered during excavations at the Agora, the authors show how different vessel forms were used in classical Athens. By linking the shapes of pots with their social functions, this book gives meaning to the ancient names, such as skyphos, olpe, kantharos, lekane, and hydria, that one encounters when visiting museums.
The Art of Vase-Painting in Classical Athens
In his new book, Professor Martin Robertson - author of A History of Greek Art (CUP 1975) and A Shorter History of Greek Art (CUP 1981) - draws together the results of a lifetime's study of Greek vase-painting, tracing the history of figure-drawing on Athenian pottery from the invention of the 'red-figure' technique in the later archaic period to the abandonment of figured vase-decoration two hundred years later. The book covers red-figure and also work produced over the same period in the same workshops in black-figure and other techniques, especially that of drawing in outline on a white ground. The book is intended as a companion volume to Sir John Beazley's The Development of Attic Black-figure (originally published in 1951 by California University Press), and as an examination and defence of Beazley's methods and achievements. This book is a major contribution to the history of Greek vase-painting and anyone seriously interested in the subject - whether scholar, student, curator, collector or amateur - will find it essential reading.
Late Classical, Hellenistic, and Roman Pottery
This volume presents the Late Classical through Roman pottery from the University of Chicago excavations at Isthmia (1952-1989). In a series of three chapters-on the Late Classical and Hellenistic pottery, the Roman pottery, and the pottery from the Palaimonion-a general discussion is followed by a catalog presenting datable contexts and then by a catalogue of other noteworthy pottery. Appendixes discuss the stratigraphy of the Palaimonion and observations on new and previously published lamps. Amphora stamps are the focus of a further appendix, followed by a catalogue of the Slavic and Byzantine pottery found in the sanctuary area. Although the pottery is sometimes fragmentary, the range of materials over this thousand-year period is typical of Corinthian sites. The finds presented here provide critical information about the history of the Panhellenic sanctuary of Poseidon and the ritual activities that took place there.
Artful Crafts
Exciting and provocative in its argument, this book challenges the widely held view that Greek pottery vases were objects of great value in antiquity, commissioned by rich patrons from the greatest artists of the day. Instead, they are shown to have been simply low cost versions of tableware originally made in silver and gold. This book demonstrates how Greek pottery first came to be regarded as a high value commodity in the eighteenth century thanks to clever, if not fraudulent, sales techniques; it examines the primary sources, both literary and epigraphic, to find what materials the ancients did consider to be important; and it explores the ways in which work in gold and silver influenced painted pottery.
