You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Bigelow writes to the Independent, 5 Feb. 1910, describing a photo he is sending of Burmese priests and a Buddhist pupil he met in Ceylon, with a note on his itinerary.
None
Saugerties, nestled between Esopus Creek and the Hudson River on one side and the Catskill Mountains on the other, is an old village first settled by the Dutch. Following the opening of the Erie Canal, industrialist Henry Barclay set into motion plans to use the area's waterpower to turn Saugerties into an industrial community. The village became home to the Ulster Iron Works and Barclay's paper mill, and a rich supply of some of the world's most beautiful bluestone was discovered. Sidewalks for Boston and New York City came from the quarries in the area, and the blossoming industry caused Saugerties to grow from approximately 20 families in 1825 to over 4,000 citizens by the 1880s. Today the village of Saugerties is lined with beautiful Victorian buildings and is home to the first business district in the country to be placed on the National Register of Historic Places.
The use and abuse of military history is the theme of this book. The author scrutinizes the army's first systematic attempt to use military history to educate its future leaders and traces the army's struggle, from the end of the Civil War, to claim intellectual authority over the study of war.
One of America’s most popular and influential American artists, Frederic Remington (1861–1909) is renowned for his depictions of the Old West. Through paintings, drawings, and sculptures, he immortalized a dynamic world of cowboys and American Indians, hunters and horses, landscapes and wildlife. Frederic Remington: A Catalogue Raisonné II is a comprehensive presentation of the artist’s body of flat work, both in print and on this book’s companion website. Beautifully illustrated with more than 150 figures and 100 color plates, this book offers insightful essays by notable art historians who explore Remington’s experiences in Taos, New Mexico, and other parts of the West. The chap...
This book is the long-anticipated first volume of a two-volume work that will chronicle intentional communities in the twentieth century. Timothy Miller's chronological account is likely to be the standard work on the subject. Communities of the early twentieth century were often obscure and short-lived enterprises that left little trace of themselves. Historical accounts of them are few, and the ephemera such ventures produced have rarely been collected. Miller first looks at the older groups that were operating until I 900. He explores their impact of the early twentieth-century art colonies, and then turns to a decade-by-decade discussion of many dozens of new groups formed up to 1960. His comprehensive perspective—a synopsis of the first sixty years of this century—has never before been undertaken in the study of communal groups.
None