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On Order
A fresh, new translation of Augustine's third work as a Christian convert The first four works written by St. Augustine of Hippo after his conversion to Christianity are dialogues that have influenced prominent thinkers from Boethius to Bernard Lonergan. Usually called the "Cassiciacum dialogues," these four works are of a high literary and intellectual quality, combining Ciceronian and neo-Platonic philosophy, Roman comedy and Vergilian poetry, and early Christian theology. They are also, arguably, Augustine's most charming works, exhibiting his whimsical levity and ironic wryness. On Order is the third work in this tetralogy, and it is Augustine's only work explicitly devoted to theodicy, the reconciliation of Almighty God's goodness with evil's existence. In this dialogue, Augustine argues that a certain kind of self-knowledge is the key to unlocking the answers to theodicy's vexing questions, and he devotes the latter half of the dialogue to an excursus on the liberal arts as disciplines that will help strengthen the mind to know itself and God.
Porphyry in Fragments
The Greek philosopher Porphyry of Tyre had a reputation as the fiercest critic of Christianity. It was well-deserved: he composed (at the end the 3rd century A.D.) fifteen discourses against the Christians, so offensive that Christian emperors ordered them to be burnt. We thus rely on the testimonies of three prominent Christian writers to know what Porphyry wrote. Scholars have long thought that we could rely on those testimonies to know Porphyry's ideas. Exploring early religious debates which still resonate today, Porphyry in Fragments argues instead that Porphyry's actual thoughts became mixed with the thoughts of the Christians who preserved his ideas, as well as those of other Christian opponents.
Educating for Participatory Democracy
A collaborative, international effort to reflect on a broad range of issues relating to globalization. Several encompassing themes are addressed including ideals proper to the democratic nation-state and their relationship to a globalizing culture.
Phylogenetic Ecology
Over the past decade, ecologists have increasingly embraced phylogenetics, the study of evolutionary relationships among species. As a result, they have come to discover the field’s power to illuminate present ecological patterns and processes. Ecologists are now investigating whether phylogenetic diversity is a better measure of ecosystem health than more traditional metrics like species diversity, whether it can predict the future structure and function of communities and ecosystems, and whether conservationists might prioritize it when formulating conservation plans. In Phylogenetic Ecology, Nathan G. Swenson synthesizes this nascent field’s major conceptual, methodological, and empirical developments to provide students and practicing ecologists with a foundational overview. Along the way, he highlights those realms of phylogenetic ecology that will likely increase in relevance—such as the burgeoning subfield of phylogenomics—and shows how ecologists might lean on these new perspectives to inform their research programs.
Philosophy of Latin America
This volume contains articles on topics within a variety of disciplines: political philosophy, ethics, history of philosophy, formal logic, philosophy of science and technology, as well as philosophical interpretation of literature. It is relevant to philosophers and researchers in these disciplines. It addresses the question of a genuine Latin American local, national and continental cultural identity being a challenge to philosophy.
The Conquerors of the New Kingdom of Granada
How Indians and Spaniards forged a new society in the mid-sixteenth century in the region known today as Colombia.
Ephemeral Media
Ephemeral Media explores the practices, strategies and textual forms helping producers negotiate a fast-paced mediascape. Examining dynamics of brevity and evanescence in the television and new media environment, this book provides a new perspective on the transitory, and transitional, nature of screen culture in the early twenty-first century.
