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The Pre-Raphaelites
Richly illustrated, Jan Marsh describes the life of the Pre-Raphaelite Brotherhood - a group of young pa inters and poets who caused a furore in staid Victorian Lond on - through a selection of their letters and writings. '
Reading the Pre-Raphaelites
This illustrated book focuses on the Pre-Raphaelite artists and their radical departure from artistic conventions. Barringer explores the meanings encoded in Pre-Raphaelite paintings and analyses key pictures and their significance within the complex social and cultural matrix of 19th century Britain.
The Pre-Raphaelites
United in their opposition to the artistic establishment, the Pre-Raphaelites were determined to paint their pictures with complete fidelity to nature, using pure and vibrant colours on a white background. This book charts the rise and continued influence of this movement.
Pre-Raphaelites Re-viewed
The Pre-Raphaelite Brotherhood, formed in 1848 by the young Millais, Holman Hunt and Rossetti, has long been recognised as a high point in Victorian artistic production. But whilst we know much of the private lives of Pre-Raphaelite artists and writers and their best-known paintings are very familiar, their work (and particularly their visual imagery) has attracted limited attention from art historians and critical theorists. This collection redresses the situation with a series of detailed critical and historical studies of individual issues and productions, artistic and literary, relative to Pre-Raphaelitism. Using rigorous new critical analysis, the book throws new light on the ways in which the Pre-Raphaelites addressed philosophical, religious, political and social questions. It will be essential reading for all students of Victorian art, literature and ideas.--Back cover.
The Art of the Pre-Raphaelites
In a richly illustrated re-examination of a seminal period in art history, the author of Rossetti and His Circle asks important questions about the pre-Raphaelite artists, their work, their artistic themes, and their influence on the history of art.
After the Pre-Raphaelites
Victorian aestheticism is reinterpreted here as a significant exploration of what it might mean to produce works of art in the modern world. This study addresses not only art for art's sake but its links with science and morality.
The Pre-Raphaelites: From Rossetti to Ruskin
The Pre-Raphaelite Movement began in 1848, and experienced its heyday in the 1860s and 1870s. Influenced by the then little-known Keats and Blake, as well as Wordsworth, Shelley and Coleridge, Pre-Raphaelite poetry 'etherialized sensation' (in the words of Antony Harrison), and popularized the notion ofl'art pour l'art - art for art's sake. Where Victorian realist novels explored the grit and grime of the Industrial Revolution, Pre-Raphaelite poems concentrated on more abstract themes of romantic love, artistic inspiration and sexuality. Later they attracted Aesthetes and Decadents like Oscar Wilde, Aubrey Beardsley and Ernest Dowson, not to mention Gerard Manley Hopkins and W.B. Yeats.
The Pre-Raphaelites
The Pre-Raphaelite Brotherhood was a group of English painters, poets and critics, founded in 1848 by John Everett Millais, Dante Gabriel Rossetti and William Holman Hunt. Their art's romanticism, attention to detail and jewel-like colours have ensured their eternal popularity. This beautifully illustrated reference book, now back in print, is packed with examples of work by the key proponent Millais, and his many contemporaries. Beginning with an overview of the movement it goes on to discuss the art in the context of society, place, influences, and styles and techniques. It is an ideal gift for art lovers or those new.
The Pre-Raphaelites
This unique collection demonstrates the profoundly interdisciplinary nature of Pre-Raphaelitism, and contains contains whole texts and key extracts from key Pre-Raphaelite figures such as William Morris, and from less well-known figures.
Pre-Raphaelites: Beauty and Rebellion
Pre-Raphaelites: Beauty and Rebellion presents new research into Pre-Raphaelites in Northern England to accompany an exhibition of artworks of the same title at Liverpool’s Walker Art Gallery from February 2016.
