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Undoing Apartheid
Post-apartheid South Africa still struggles to overcome the past, not just because the material conditions of apartheid linger but because the intellectual conditions it created have not been thoroughly dismantled. The system of 'petty apartheid', which controlled the minutia of everyday life, became a means of dragooning human beings into adapting to increasingly mechanized forms of life that stifle desire and creative endeavour. As a result, apartheid is incessantly repeated in the struggle to move beyond it. In Undoing Apartheid, Premesh Lalu argues that only an aesthetic education can lead to a future beyond apartheid. To find ways to escape the vicious cycle, he traces the patterns created by three theatrical works by William Kentridge, Jane Taylor, and the Handspring Puppet Company – Faustus in Africa, Woyzeck on the Highveld, and Ubu and the Truth Commission – which coincided with the fall of the Berlin Wall and the end of apartheid. Through the analysis of these works, Lalu uncovers the roots of modern thinking about race and affirms the need to revitalize a post-apartheid reconciliation endowed with truth – if only to keep alive the rhyme of hope and history.
The Deaths of Hintsa
"In 1996, as South Africa's Truth and Reconciliation Commission was beginning its hearings, Nicholas Gcaleka, a healer diviner from the town of Butterworth in the Eastern Cape province of South Africa, set off on a journey to retrieve the skull of Hintsa, the Xhosa king. Hintsa had been killed by British troops on the banks of the Nqabarha River over a century and a half before and, it was widely believed, been beheaded. From a variety of quarters including the press, academia and Xhosa traditional leadership Gcaleka's mission was mocked and derided. Following the tracks of Nicholas Gcaleka, author Lalu explores the reasons for the almost incessant laughter that accompanied these journeys in...
Love and Revolution in the Twentieth-Century Colonial and Postcolonial World
This book addresses emancipatory narratives from two main sites in the colonial world, the Indian and southern African subcontinents. Exploring how love and revolution interrelate, this volume is unique in drawing on theories of affect to interrogate histories of the political, thus linking love and revolution together. The chapters engage with the affinities of those who live with their colonial pasts: crises of expectations, colonial national convulsions, memories of anti-colonial solidarity, even shared radical libraries. It calls attention to the specific and singular way in which notions of ‘love of the world’ were born in a precise moment of anti-colonial struggle: a love of the world for which one would offer one’s life, and for which there had been little precedent in the history of earlier revolutions. It thus offers new ways of understanding the shifts in global traditions of emancipation over two centuries.
Remains of the Social
An interdisciplinary volume of essays that engages with what ‘the social’ might mean after apartheid. Remains of the Social is an interdisciplinary volume of essays that engages with what 'the social' might mean after apartheid; a condition referred to as 'the post-apartheid social'. The volume grapples with apartheid as a global phenomenon that extends beyond the borders of South Africa between 1948 and 1994 and foregrounds the tension between the weight of lived experience that was and is apartheid, the structures that condition that experience and a desire for a 'post-apartheid social' (think unity through difference). Collectively, the contributors argue for a recognition of the 'the post-apartheid' as a condition that names the labour of coming to terms with the ordering principles that apartheid both set in place and foreclosed. The volume seeks to provide a sense of the terrain on which 'the post-apartheid' - as a desire for a difference that is not apartheid's difference - unfolds, falters and is worked through.
Remains of the Social
"Remains of the Social is an interdisciplinary volume of essays that engages with what 'the social' might mean after apartheid. It grapples with apartheid as a global phenomenon that extends beyond the borders of South Africa between 1948 and 1994 and foregrounds the tension between the weight of lived experience that was and is apartheid, the structures that condition that experience, and a desire for a 'post-apartheid social'. Collectively, the contributors argue for a recognition of 'the postapartheid' as a condition that names the labour of coming to terms with the ordering principles that apartheid both set in place and foreclosed. This provides a sense of the terrain on which 'the postapartheid' - as a desire for a difference that is not apartheid's difference - unfolds, falters and is worked through."--Back cover.
Social and Critical Practice in Art Education
This book takes a new, exciting and important approach to art. It shows how children and older students can use art to explore personal, social and cultural issues that touch their lives. The book covers new ground, responding as it does to the increasingly diverse nature of cities and to recent government initiatives worldwide to foster social inclusion and equality of opportunity and support active citizenship. The contributors are art educators. They write about their ways of engaging with contemporary art practice in their particular fields so as to encourage young people to acquire critical understanding. They also challenge the pedagogies that perpetuate long-established forms of art p...
Rhoda: ‘Comrade Kadalie, You Are Out of Order!’
This authorized biography was made possible through the gracious help of my mother-in-law, Rhoda Kadalie, who provided generous access to her files, letters, photographs, and extensive library of documents. She made time to sit with me for several hours of interviews from September through October 2021, to answer questions as they arose, and to offer innumerable clarifications. Rhoda also reviewed the first draft of the biography in December 2021, making corrections and additions, and contributing some of her own original vignettes, never before published.
Slave Emancipation and Racial Attitudes in Nineteenth-Century South Africa
Examines the significance of the abolition of slavery in South Africa's Cape Colony in 1834 and the subsequent development of race relations.
The Aftermath of the Cassinga Massacre
It took the former South African Defence Force (SADF) less than four hours to kill more than eight hundred Namibian refugees at Cassinga on May 4, 1978. Thousands of survivors were left with irreparable physical and emotional injuries. The unhealed trauma of Cassinga, a Namibian civilian camp in southern Angola before the massacre, is beyond the worst that the victims of the attack experienced on the ground. Unacceptable layers of pain and suffering continue to grow and multiply as the victims grievances and other issues arising out of the aftermath of the massacre have been ignored, particularly following Namibias political independence.In this book, the afterlife of the victims traumatic memories and their aspiration for justice vis--vis the perpetrators enjoyment of blanket impunity from prosecution, in spite of their ongoing denial of killing and maiming innocent civilians at Cassinga, are explored with the aim to create public awareness about the unfortunate circumstances of the Cassinga victims.
