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How does a diverse community thrive in spaces that were designed to be exclusionary? Museums—with histories tied to colonial violence and racist practices and whose survival is largely reliant on the generosity of wealthy donors—were not built to be inclusive. Yet many museums’ missions and the people who bring these missions to life have egalitarian aims. In recent years museum practitioners across the country have been proactively confronting our histories of colonization and exclusion and advancing equity and inclusion. Museums of all types have formed cross-departmental teams to critique their internal practices, review hiring processes, and ultimately foster a more diverse and inc...
The works covered in college art history classes frequently depict violence against women. Traditional survey textbooks highlight the impressive formal qualities of artworks depicting rape, murder, and other violence but often fail to address the violent content and context. Gender Violence, Art, and the Viewer investigates the role that the art history field has played in the past and can play in the future in education around gender violence in the arts. It asks art historians, museum educators, curators, and students to consider how, in the time of #MeToo, a public reckoning with gender violence in art can revitalize the field of art history. Contributors to this timely volume amplify the...
Teaching Ancient Egypt in Museums: Pedagogies in Practice explores what best practices in museum pedagogy look like when working with ancient Egyptian material culture. The contributions within the volume reflect the breadth and collaborative nature of museum learning. They are written by Egyptologists, teachers, curators, museum educators, artists, and community partners working in a variety of institutions around the world—from public, children’s, and university museums, to classrooms and the virtual environment—who bring a broad scope of expertise to the conversation and offer inspiration for tackling a diverse range of challenges. Contributors foreground their first-hand experiences, pedagogical justifications, and reflective teaching practices, offering practical examples of ethical and equitable teaching with ancient Egyptian artifacts. Teaching Ancient Egypt in Museums serves as a resource for teaching with Egyptian collections at any museum, and at any level. It will also be of great interest to academics and students who are engaged in the study of museums, ancient Egypt, anthropology, and education.
"This essential retrospective of genre-defying artist and MacArthur Fellow Joyce J. Scott (b. 1948) showcases her expansive and versatile career. From early textiles and wearables, to performances and public artworks, to celebrated beaded sculptures and signature necklaces, her innovative oeuvre centers on the ancient, global technologies of needle and thread, beadwork, salvage, song, and storytelling. Interviews with Scott and essays from an extraordinary group of artists and scholars explore this dynamic practice, rooted in place, community, and intergenerational knowledge. Extensive new photography and rich archival images reveal a dazzling, provocative body of work that makes difficult subjects intimately felt, confronting racism, sexism, classism, ableism, and histories of trauma through wearable art and exquisite sculpture. With humor and pathos, Scott twists menacing stereotypes into grotesque and tender retorts that spur conversation and reflection, grief and laughter, learning and healing."--Back cover.
This conference brought together experts on the manner in which structure emerged from chaos in the early universe. Theoreticians and experimentalists discussed how current and future data can shed light on the manner in which structural constraints were introduced into the early universe and how clues to those constraints can be obtained from the cosmic microwave background, the emergence of the first stars, and the development of galaxies and clusters of galaxies. Almost two dozen invited speakers presented reviews of their areas of expertise. Topics include: The Nature of Dark Matter; The Intergalactic and Intracluster Medium; The Origins of Structure; High-Redshift Structure; Low-Redshift Structure; Future Prospects; Structure in the Cosmic Microwave Background; The First Stars, Reionization, and Induced Structure.
A fictional story of the hurdles and accomplishments of childhood, from the ages of 1 to 7.
2020 Vision chronicles a tale of futuristic science blended with crime and drama. After making a significant discovery, Priya has doubts about how she will be treated by her employer. From within a male-dominated industry, she elects to try and make a name for herself. Little does she realise that her road to fame and fortune will be perilous. There are those who would kill to gain the information she now possesses.
We spend our lives gathering - first in classrooms and then in meetings, weddings, conferences and away days. Yet so many of us spend this time in underwhelming moments that fail to engage us, inspire us, or connect us. We've all sat in meetings where people talk past each other or go through the motions and others which galvanize a team and remind everyone why they first took the job. We've been to weddings that were deeply moving and others that were run-of-the-mill and simply faded away. Why do some moments take off and others fizzle? What's the difference between the gatherings that inspire you and the ones that don't? In The Art of Gathering, Priya Parker gets to the heart of these questions and reveals how to design a transformative gathering. An expert on organizing successful gatherings whether in conference centres or her living room, Parker shows us how to create moving, magical, mind-changing experiences - even in spaces where we've come to expect little.
Praise for illusion Sunil Doiphode, an eminent modern Marathi writer, is no way different in his attitude towards the treatment of occult from the dramatist William Shakespeare. Sunil is a writer of illusion and supernatural phenomena. He seems to follow the conventions of Shakespearian supernatural treatment. ---- Zeba Mehdi (The Criterion - An International Journal in English, Sept 2012, Vol III, Issue III, ISBN - 0976-8165)
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