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Aesthetics & Ethics
In a first, theoretical part, this study analyzes what role "otherness" plays in the most influential moral-philosophical approaches to date - from Aristotle and the Neo-Aristotelians (Alasdair MacIntyre, Martha Nussbaum) via Kantianism and its deconstructors (Jean-Francois Lyotard, J. Hillis Miller) to the works of Paul Ricoeur and Emmanuel Levinas - and sheds light on its highly problematic status in Western notions of justice and aesthetics. Starting from a revised notion of the sublime, the second part uses the different theoretical approaches to interpret four American novels (Harriet Beecher Stowe's 'Uncle Tom's Cabin', Herman Melville's 'Billy Budd, Sailor', Richard Wright's 'Native Son', and N. Scott Momaday's 'House Made of Dawn'), and examines how far the respective moral-philosophical systems carry in elucidating these texts, as well as what role literary-historical and generic strategies play in dramatizing the encounter with "otherness".
Crossing Oceans
With the increasing globalization of culture, American literature has become a significant body of text for classrooms outside of the United States. Bringing together essays from a wide range of scholars in a number of countries, including China, Japan, Korea, Singapore, and the United States, Crossing Oceans focuses on strategies for critically reading and teaching American literature, especially ethnic American literature, within the Asia Pacific region. This book will be an important tool for scholars and teachers from around the globe who desire fresh perspectives on American literature from a variety of national contexts. The contributors use perspectives dealing with race, feminism, cu...
Seems Like Old Times
Woody Allen is one of America's most prolific authors, actors, and auteur film directors. His oeuvre, which spans five decades, has always been marked by a postmodern play with conventions, experimental techniques, and explorations of the status quo of modern urban lives. Yet, Woody Allen is also a nostalgic who makes the history of his nation, his people, and his individual subjects the constant theme of his work. Whether cryogenically frozen Miles Monroe wakes up in the future only to misinform scientists about the past; whether stand-up comedian Alvy Singer reminisces his relationship to Annie Hall; or, whether ophtalmologist Judah Rosenthal is tormented by his memory of his Jewish rabbin...
Aged Young Adults
When Toula's father in »My Big Fat Greek Wedding« says to his daughter (age 30) »you look so old« or when Don DeLillo's protagonist (age 28) »feels old« in »Cosmopolis«, these young characters are attributed an age awareness that has received little attention in age studies so far. Leaving aside chronological or biological dimensions of age, this study approaches age as a metaphoric practice, suggesting that »feeling old« is not to be taken literally but metaphorically. The book examines the cultural meanings of age and aging for characters who are in their twenties and thirties and challenges often-quoted labels such as late-coming-of-age story or perpetual adolescence.
Extraordinary Forms of Aging
While aging and the life-course appear to be normalized processes, the complex construction of age at the intersection of biology, society, and culture remains opaque. This study contributes to a deeper understanding of age(ing) by exploring its construction through the analysis of extraordinary cases. Focusing on life narratives of centenarians and children with progeria, Julia Velten analyzes the way in which these people experience age(ing) and shows how these experiences can contribute to our understanding of age. Situated at the intersection of aging studies and medical humanities, the study explores what extraordinary age(ing) can tell us about aging processes in general.
Bridges, Borders and Bodies
South Asian diasporas can be considered transcultural legacies of colonialism, while constituting transcultural forms of postcolonial reality in today’s globalised world. The main focus of investigation here is South Asian women’s fiction, where diverse forms of identity negotiation undertaken by the protagonists in a number of contemporary novels (from the 1990s to the early 2000s) are read as transgressions. The themes of early gendered experiences of South Asian indentured labour migration, female genealogies and transmissions of cultural heritages down female lines, as well as negotiations of patriarchal violence, are read using a framework culled from postcolonial and feminist criti...
