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Contributed papers presented at National Conference on "25 Years of Economic Reforms in India: Performance and Prospects", organized by Department of Studies and Research in Economic, Tumkur University in April 2017.
The story of the archetypal Mother, the mother of all Chandrashekhar Kambar s stories, variously called Mayi, Idimayi, and now Karimayi, is at the heart of this novel. The narrative of Karimayi moves through an astounding time span, beginning from the mythopoeic times of Goddess Karimayi s birth to the historical and cultural shifts in the life of a small rural community called Shivapura during the British colonial era. Written in the Kannada language in 1975, Karimayi breaks the familiar narrative of an idyllic and traditional village community getting destroyed by the incursion of modernity. Instead, the multiple and layered narrative of Karimayi weaves everything into itself the story of the village s past, the myth of Karimayi, the disorder that sets in with the invasion of colonial modernity and the lure of the city, but, most importantly, also of the disruption of another form of native modernity that the village community has already begun to incorporate into its rhythms of life. "
U.R. Ananthamurthy (1932-2014), author of Samskara and such other contemporary Indian classics, wrote in Kannada. Born in the heart of the Western Ghats, he grew up in an atmosphere steeped in Vedic thought. Suragi is his autobiographical work where he recounts how he grappled with questions of religion and secularism, orthodoxy and modernity, authoritarianism, and democracy. Drawing from Indian thought, he developed the concept of the critical insider, arguing that criticism of a culture becomes genuine and worthy of acceptance when it comes from one living within it. His evocative writing portrayed relationships shaped by the flux of contemporary India. He won the highest literary honours ...
Poem on Indian civilization, with reference to the coalescence of Aryan and Dravidian traditions.
Considered to be the father of the Kannada short story, Masti s direct narration and sympathetic understanding of human nature make his stories evergreen. U R Anantha Murthy describes this Sahitya Akademi Awardee as one who has a gentle and profound insight into what lasts in India, and what elements inherent in human nature threaten it ... the best in traditions of the East and the West have gone into the making of his liberal humanist philosophy.
A compelling tale of mystery, passion and spiritual exploration seventy-year-old Shastri; A reciter of Harikatha, encounters an Ayyappa pilgrim on a train. Around the pilgrim's neck is a Sri chakra amulet which looks like one that belonged to Saroja, Shastri's first wife. But Shastri thought he had killed Saroja years before, believing she was pregnant by another man. If the amulet is Saroja's, then she might have survived, and the pilgrim (Dinakar, a television star) could be Shastri's son. A similar story is revealed when Dinakar visits his old friend Narayan: either could be the father of Prasad, A young man destined for spiritual attainment. The interwoven lives of three generations play...
Midnight- when stone and water melt- at the village entrance, the guardian-lamp spirits meet, they talk, exchange notes, share joys, share sorrows. Devanoora Mahadeva leads us to a world of spirits ruled by a strong sense of justice. As we listen in, their conversation introduces four generations of a family: Akkamahadevamma; her son Yaada; his son Somappa; and the main protagonist, Somappa's daughter, Kusuma. In this intricately woven cosmos, death casts its shadow. Following the different voices around, we come face to face with the harsh realities of Dalit life. Steered by the nuances of folk tale and oral tradition, this extraordinary account of feudal oppression presents a rare blend of poetry and prose. A modern classic, when it first appeared in 1988, Kusumabale marked a turning point in modern Kannada literature.