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Culture and Authority in the Baroque explores the baroque across a wide range of disciplines, from poetics to politics, to the rituals of musical, dramatic, and religious performance.
This book examines the public assertion of self by men and women in England, France and Germany from the Renaissance to Romanticism.
When it was first published in 1781, The Confessions scandalised Europe with its emotional honesty and frank treatment of the author's sexual and intellectual development. Since then, it has had a more profound impact on European thought. Rousseau left posterity a model of the reflective life - the solitary, uncompromising individual, the enemy of servitude and habit and the selfish egoist who dedicates his life to a particular ideal. The Confessions recreates the world in which he progressed from incompetent engraver to grand success; his enthusiasm for experience, his love of nature, and his uncompromising character make him an ideal guide to eighteenth-century Europe, and he was the author of some of the most profound work ever written on the relation between the individual and the state.
Adolphe enjoys all the advantages of a noble birth and an intellectual ability, yet he is haunted by the meaninglessness of life. Thus, he merely seeks distraction in the pursuit of the beautiful, but older and married Ellenore. The young Adolphe, inexperienced in the language of love, falls for her unexpectedly and falters under the burden of an illicit love that is destructive to his public career. Unable to commit himself fully to Ellenore, and yet unwilling to face the pain he would cause by leaving her, Adolphe finds himself incapable of resolving an increasingly tragic situation. Written in a clear and thoughtful style, Adolphe (1816) reveals Constant's own experiences in love, while reflecting his anxieties for the possibility of any authentic commitment to someone other than ourselves, whether emotional or political, in a disenchanted world.
An interdisciplinary, literary, critical, and creative anthology that explores cultural connections between Quebec and francophone Europe.
The three short fictions in this unique collection, Sarrasine, The Unknown Masterpiece, and The Girl with the Golden Eyes, deal with the relationship between artistic ideals and sexual desires. They show Balzac's mastery of the seductions of storytelling, and are among the 19th century's richest explorations of life and art.
Early Modern Conceptions of Property draws together distinguished academics from a variety of disciplines, including law, economics, politics, art history, social history and literature, in order to consider fundamental issues of property in the early modern period. Presenting diverse original historical and literary case studies in a sophisticated theoretical framework, it offers a challenge to conventional interpretations.
The French studies scholar Patrick Coleman made the important observation that over the course of the eighteenth century, the social meanings of anger became increasingly democratized. The work of Jean-Jacques Rousseau is an outstanding example of this change. In Man or Citizen, Karen Pagani expands, in original and fascinating ways, the study of anger in Rousseau’s autobiographical, literary, and philosophical works. Pagani is especially interested in how and to what degree anger—and various reconciliatory responses to anger, such as forgiveness—functions as a defining aspect of one’s identity, both as a private individual and as a public citizen. Rousseau himself was, as Pagani put...