You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The wildly entertaining story of progressive rock, the music that ruled the 1970s charts—and has divided listeners ever since. The Show That Never Ends is the definitive story of the extraordinary rise and fall of progressive (“prog”) rock. Epitomized by such classic, chart-topping bands as Yes, Genesis, Pink Floyd, Jethro Tull, and Emerson Lake & Palmer, along with such successors as Rush, Marillion, Asia, Styx, and Porcupine Tree, prog sold hundreds of millions of records. It brought into the mainstream concept albums, spaced-out cover art, crazy time signatures, multitrack recording, and stagecraft so bombastic it was spoofed in the classic movie This Is Spinal Tap. With a vast know...
In this book, the glory days of progressive rock are relived in a series of insightful essays about the key bands, songwriters and songs that made prog-rock such an innovative style.
Drawing on an encyclopedic knowledge of the music, social and cultural background and extensive interviews, Paul Stump has written an entertaining and vigorous study of an important area of popular music.
In Experiencing Progressive Rock: A Listener's Companion, Robert G. H. Burns brings together the many strands that define the "prog rock" movement of the late 1960s and early 1970s to chart the evolution of this remarkable rock tradition over the decades. Originating in the 1960s with acts like Yes, Pink Floyd, King Crimson, The Who, Jethro Tull, Genesis, and The Moody Blues, progressive rock emerged as a response to the counterculture on both sides of the Atlantic. Prog rock drew heavily on European classical music as well as the sophisticated improvisations of American jazz to create unique fusions that defied record label and radio station categorizations. Reemerging after the 1980s, a ne...
This is the first authoritative study of the music, history and culture of progressive rock, a genre remembered for its virtuoso guitar solos and massive stage shows. Among the bands covered are Jethro Tull, Genesis, Yes, and Pink Floyd.
An entertaining, definitive and in-depth study of prog rock, with a new cover and a foreword by Steve Hackett (Genesis). Progressive rock, a genre formed out of a creative surge in the late Sixties and throughout the Seventies. Made by young musicians for a young audience, prog music looked towards new horizons by synthesising rock, jazz, folk, classical and other styles. While prog has always divided critical opinion, in its heyday it had a large and devoted fanbase, and the era's biggest acts from Pink Floyd to Genesis went on to enjoy long-lasting international and commercial success. Although the scene fragmented in the late Seventies, new generations of young listeners continue to disco...
(Book). From its artful beginnings (Syd Barrett-era Pink Floyd, the Mothers of Invention, and those progressive forebearers, the Sgt. Pepper-era Beatles), through the towering guitar solos, monumental synthesizer banks, and mind-boggling special effects of the Golden Age of Prog (Rush, Pink Floyd, Yes, ELP, Genesis, Jethro Tull, King Crimson, UK), through the radio-friendly "pop era" (Asia, the Phil Collins-led Genesis, and a reformed Yes), and right up to the present state of the art (Marillion, Spock's Beard, and Mars Volta), this is a wickedly incisive tour of rock music at its most spectacular. This is indeed the book prog rock fans have been waiting for, the only one of its kind, as fantastic as the subjects it covers.
In Listening to the Future, Bill Martin sets the scene for the emergence of progressive rock and examines the most important groups, from the famous to the obscure. He also surveys the pathbreaking albums and provides resources for readers to explore the music further. "Written with the insights of an academic, the authority of a musicologist, and—best of all—the passion of a true fan. Martin charts topographic oceans, courts crimson kings, does some brain salad surgery, and generally rocks out in 7/8 time." —Jim DeRogatis Sun-Times music critic
Unlike most books on rock music, Music of Yes does not focus on personalities, but instead on musical structures, lyrical vision, and cultural and historical context. Bill Martin situates one of the most creative groups from the progressive rock period, Yes, within the utopian ideals of the sixties and the experimental trend in rock music initiated by the Beatles and taken up by groups such as King Crimson, Jethro Tull, Pink Floyd, and others. Working against the seemingly entrenched cynicism and "blues orthodoxy" among rock music critics, Martin demonstrates the power of Yes's romantic, utopian, "Blakean," ecological, multicultural, and feminist perspective, showing how this vision is developed through extended musical works. "I think this book will stand out as the most definitive study of Yes, and anyway, how could I not like a book that compares my ability to that of John Coltrane and Jimi Hendrix?" —Chris Squire Co-founder of Yes "Yes fans will flock to this paean to the world of 1960s 'art rock'. . . Martin's points about the artistic aspirations of '60s and '70s 'progressive' music are thought-provoking." —Booklist
Prog Rock FAQ traces the controversial, but much misunderstood musical genre through its five-decade history, highlighting the rise, eventual decline, and recent resurgence of one of the most inventive and storied popular musical forms of the latter half of the 20th Century. Prog Rock FAQ digs deep to deliver a view of progressive rock as you've never known it: Technical wizards, cosmic messengers, visionary producers, groundbreaking album-cover illustrators, and even innovative musical instrument vendors separate memory from myth, fact from fiction, to recount prog rock's most historically significant milestones and little-known tales. This interview-rich, unapologetic volume addresses topics taboo and burning alike, while welcoming the reader on an enthralling journey replete with rapturous visions, wondrous stories, and endless enigmas.