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The Art of Film Projection: A Beginner's Guide
  • Language: en
  • Pages: 344

The Art of Film Projection: A Beginner's Guide

  • Categories: Art

The history of cinema is full of love stories, but none has been as essential as the love between projectionists and their machines. The Art of Film Projection-A Beginner's Guide is a comprehensive outline of the materials, equipment, and knowledge needed to present the magic of cinema to an enthralled audience. Part manual and part manifesto, this book compiles more than fifty years of expertise from the staff of the world-renowned George Eastman Museum and the students of the L. Jeffrey Selznick School of Film Preservation into the most authoritative and accessible guide to film projection ever produced. No film comes to life until it is shown on the big screen, but with the proliferation of digital movie theaters, the expertise of film projection has become rare. Written for both the casual enthusiast and the professional projectionist in training, this book demystifies the process of film projection and offers an in-depth understanding of the aesthetic, technical, and historical features of motion pictures. Join in the fight to save the authentic experience of seeing motion pictures on film.

Art of Projection
  • Language: en

Art of Projection

  • Categories: Art
  • Type: Book
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  • Published: 2009
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  • Publisher: Unknown

Text by Christopher Eamon, Mieke Bal, Beatriz Colomina, Thomas McDonough.

Art and Representation
  • Language: en
  • Pages: 428

Art and Representation

  • Categories: Art

In Art and Representation, John Willats presents a radically new theory of pictures. To do this, he has developed a precise vocabulary for describing the representational systems in pictures: the ways in which artists, engineers, photographers, mapmakers, and children represent objects. His approach is derived from recent research in visual perception and artificial intelligence, and Willats begins by clarifying the key distinction between the marks in a picture and the features of the scene that these marks represent. The methods he uses are thus closer to those of a modern structural linguist or psycholinguist than to those of an art historian. Using over 150 illustrations, Willats analyze...

Scenic Art for the Theatre
  • Language: en
  • Pages: 466

Scenic Art for the Theatre

  • Categories: Art

With plenty of hints and tips, 'Scenic Art for the Theatre' is an easily understood textbook for students and professionals alike who want to know more about set design and the history of scenic artistry.

Library of Congress Subject Headings
  • Language: en
  • Pages: 1596
The Art and Practice of Astral Projection
  • Language: en
  • Pages: 136

The Art and Practice of Astral Projection

  • Type: Book
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  • Published: 2011-09-01
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  • Publisher: Unknown

A practical step by step manual on the very complex phenomenon of leaving one's physical body on this plane to travel to others.

An Elementary Treatise on Orthographic Projection
  • Language: en
  • Pages: 266

An Elementary Treatise on Orthographic Projection

  • Type: Book
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  • Published: 1865
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  • Publisher: Unknown

None

An Elementary Treatise on Orthogiaphic Projection
  • Language: en
  • Pages: 220

An Elementary Treatise on Orthogiaphic Projection

  • Type: Book
  • -
  • Published: 1857
  • -
  • Publisher: Unknown

None

Art in Action
  • Language: en
  • Pages: 260

Art in Action

  • Categories: Art

Taking vigorous issue with the pervasive Western notion that the arts exist essentially for the purpose of aesthetic contemplation, Nicholas Wolterstorff proposes instead what he sees as an authentically Christian perspective: that art has a legitimate, even necessary, place in everyday life. While granting that galleries, theaters and concert halls serve a valid purpose, Wolterstorff argues that art should also be appreciated in action -- in private homes, in hotel lobbies, in factories and grocery stores, on main street. His conviction that art should be multifunction is basic to the author's views on art in the city (he regards most American cities as dehumanizing wastelands of aesthetic squalor, dominated by the demands of the automobile), and leads him to a helpful discussion of its role in worship and the church. Developing an aesthetic that is basically grounded, yet always sensitive to the human need for beauty, Wolterstorff make a brilliant contribution to understanding how art can serve to broaden and enrich our lives.