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A celebration of the 350th anniversary of the publication of the 1662 Book of Common Prayer, underlining its current andcontinuing relevance.
This volume offers a selection of essays from the pages of Antiphon: A Journal for Liturgical Renewal, the official organ of the Society for Catholic Liturgy. The Society was founded in 1995 as a multidisciplinary association of Catholic scholars, teachers, pastors, and ecclesiastical professionals in the Anglophone world, with the aim of promoting the scholarly study and practical renewal of the sacred liturgy.
Reframes gender variance and transition in positive, non-oppositional terms, informed by Christian constructive theologies of creation and personhood.
In 1550–51, English Archbishop of Canterbury Thomas Cranmer engaged in a debate with Bishop Stephen Gardiner. Archbishop Cranmer was asserting a new Reformed view for England's Eucharist theology, but he faced opposition from England's leading traditional theologian, Gardiner. Gardiner remained faithful to the traditional doctrine of transubstantiation, while Cranmer was formulating a Spiritual Presence theology. This book analyzes the debate, asking how both Cranmer and Gardiner arrived at opposing theologies despite being involved similarly in English religion and politics. To answer the question, the book examines each author's use of scripture, continental Reformers, and early Church F...
Harnessing Chaos is an explanation of changes in dominant politicized assumptions about what the Bible 'really means' in English culture since the 1960s. James G. Crossley looks at how the social upheavals of the 1960s, and the economic shift from the post-war dominance of Keynesianism to the post-1970s dominance of neoliberalism, brought about certain emphases and nuances in the ways in which the Bible is popularly understood, particularly in relation to dominant political ideas. This book examines the decline of politically radical biblical interpretation in parliamentary politics and the victory of (a modified form of) Margaret Thatcher's re-reading of the liberal Bible tradition, followi...
What does "gospel-centered" worship look like for today's church? Scholar, worship leader, and songwriter Zac Hicks contends that this idea can be found in Thomas Cranmer's theology of worship, which was shaped by the Protestant principle of justification by faith alone and reflected in his 1552 edition of the Book of Common Prayer.
This book explores early modern debates over prayer and liturgy from Anglican and Puritan perspectives, highlighting the poetic representation of prayer on both sides of the controversy.
A Treasure to Be Shared is intended to promote a more widespread knowledge of the Apostolic Constitution Anglicanorum coetibus, promulgated by Pope Benedict XVI in 2009. The Apostolic Constitution provided for Personal Ordinariates for Anglicans entering into full communion with the Catholic Church. On the occasion of the 10th anniversary of the Apostolic Constitution, an academic symposium in the year 2019 sponsored by the Pontifical Gregorian University and the Congregation for the Doctrine of the Faith, provided historical, liturgical, canonical and ecumenical perspectives on the fruits of the Apostolic Constitution for the wider Church. The hope is that the reader will see the Personal Ordinariates of The Chair of Saint Peter in the United States and Canada, Our Lady of Walsingham in Great Britain and Our Lady of the Southern Cross in Australia as a gift to the Church, and a treasure to be shared by all.
The first investigation into the choral foundation of the Chapel Royal, Dublin Castle. The Chapel Royal, Dublin Castle, was the place of worship of the British monarch's representative in Ireland from 1814 until the inception of the Irish Free State in 1922. It was founded and maintained by the joint efforts of church and state, and thus its history provides valuable insights into how the relationship between religion and politics shaped Irish society and identity. The Dublin Chapel was established in imitation of the Chapel Royal of St James's Palace, London, and was served by a staff of clergy and musicians. Its musical foundation was a formal and independent entity, with its own personnel...