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The Puncher & Wattmann Anthology of Australian Poetry
A new anthology of Australian poetry edited by Australia's leading anthologist. The range of the anthology is from European settlement to the present, with an impressive array of poets new and familiar, as well as a translation from an older indigenous song cycle.
The Weekly Poem
The Weekly Poem has been primarily designed with teachers and students of poetry in mind. It contains exercises using 52 different concepts and forms, all of which have been developed to inspire and expand poetic practice. Each exercise is accompanied by one or more poems - sourced from around the world, with a main focus on Australia - which provide guidance, depth and an invigorating sense of possibility. The Weekly Poem represents an invaluable resource for all poets - emerging or established - and may be of benefit both in the classroom or at the private desk. It's such a blessed relief to have some little formal problem to work out, so you don't have to think about the earthshattering importance of what you are going to say. - Howard Nemerov Limitation makes for power... - Richard Wilbur
This Person Is Not That Person
Who are we when we are with someone else? The characters in This Person Is Not That Person include mismatched flatmates, long-married couples, and mothers and daughters - all dealing with the fallout, fractures and misunderstandings of human relationships. They are ordinary people - flawed, slightly off-kilter - trying to work out what's real. Susan McCreery lives in Thirroul on the NSW south coast, an ideal location for an avid ocean swimmer. She has worked as a nursing assistant; Luna Park game stall attendant; waiter; EFL teacher and olive picker in Greece; youth hostel manager; and literacy tutor. For the past 20 years she has worked as a proofreader/copy editor. Her two previous books are Waiting for the Southerly (2012) and Loopholes (2016). She is working on her first novel.
Poetry and the Trace
Poetry and the Trace is a compelling collection of critical essays by poets and scholars, offering fresh and teasing reflections on the art of contemporary poetry. As the volume's title declares, poetry is enmeshed with 'the trace', Derrida's 'mark of the absence of a presence'. The trace: glimpsed in the haunting evanescence of poetry, its quicksilver breath, its collisions between desire and melancholy, between memory and loss. The trace is poetry's musicality, its dance between distance and intimacy.
Dear Eileen,
None
Contemporary Asian Australian Poets
This ground-breaking anthology collects poems written by Australian poets who are migrants, their children, and refugees of Asian heritage, spanning work that covers over three decades of writing. Inclusive of hitherto marginalised voices, these poems explore the hyphenated and variegated ways of being Asian Australian, and demonstrate how the different origins and traditions transplanted from Asia have generated new and different ways of being Australian. This anthology highlights the complexity of Asian Australian interactions between cultures and languages, and is a landmark in a rich, diversely-textured and evolving story. Timely and proactive this anthology fills existing cultural gaps in poetic expressions of home, travel, diaspora, identity, myth, empire and language.
Admit the Joyous Passion of Revolt
Admit the Joyous Passion of Revolt is a Marxist-feminist epic poem -- wait, no, it's historical -- actually it's poems of the worker's body. It is none and all of these things. It is absurd or perhaps entirely sincere. Gomez's second book brings together a series of poems on the life of Bolshevik feminist Alexandra Kollontai. It examines love and desire under capitalism, and imagines how these will look in a post-capitalist world. This is poetry for girls, poetry for communism; it's poetry for the past and for the impossible future.
Spirit Level
Geologists and archaeologists use spirit level tools to find horizontal levels in ground or rock. Similarly, the poems in Spirit Level search for elusive balance points between memory and lived terrain, between past and present lives, between grief and enlightenment. They are connecting threads of lived and familial histories, often perceived through remembered or exigent visual portals. This is Marcelle Freiman's third book of 37 new poems, a number of which have been published in well-known Australian literary journals. There are poems using longer forms or sequences, exploring the fragmented nature of human experience, making patterns and story from lives in the present or those which are lost. Other, shorter lyric forms articulate shards of memory and perception. Throughout the book, themes of loss seek a balance against moments of light.
Contemporary Australian Poetry
An anthology of Australian poetry between the years 1990 and 2015
Four Oceans
Four Oceans, Toby Davidson's second collection, confirms his reputation as one of the most expansive and radical voices in the emerging generation of Australian poets. The scale and scope of the works are deliberately ambitious, often testing the limits of what a single poem can reveal through multiple readings. This collection follows the poet's transitions from Western to Eastern Australia and overseas through finely-wrought, if occasionally feral, long verse sequences and experiments in form. Yet these are not escapist poems; they know 'escape cannot be a constant costume' and instead confront the ghosts of Australia's past. They look inward as well as out, forward as well as back, with a gritty resolve, empathy and wry humour. Four Oceans is a poetry collection which bears stark witness to the present moment and unsparingly asks how we got here. 'Book-ended by two substantial sequences, with 'memory as a toy to tamper with (and how)', and great verbal ingenuity and humour, Four Oceans is a major achievement of one of our most talented younger poets.' -- David Malouf
