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In this comprehensive study of the rhetoric, narrative patterns, and intellectual content of the Zuozhuan and Guoyu, David Schaberg reads these two collections of historical anecdotes as traces of a historiographical practice that flourished around the fourth century BCE among the followers of Confucius. He contends that the coherent view of early China found in these texts is an effect of their origins and the habits of reading they impose. Rather than being totally accurate accounts, they represent the efforts of a group of officials and ministers to argue for a moralizing interpretation of the events of early Chinese history and for their own value as skilled interpreters of events and advisers to the rulers of the day.
This book unveils the legendary life and the mystic poems of the iconic Chinese Tang poet Han-shan (known by his pen name “Cold Mountain”) and investigates the dissemination and reception of the Cold Mountain Poems (CMPs) attributed to him. Han-shan and the CMPs are amongst the most legendary literary landscapes and cultural memories in the history of world scholarly exchange. The maniac poet recluse hidden in the Cold Mountains, the delicate poetic realms of Confucianism, Buddhism, Zen and Taoism contained in the Cold Mountain Poems, and the incredible pervasiveness of its text travel and canon construction worldwide, as well as the profound impact of CMPs on comparative literature, wor...
Volume 6 - A Demon Venerable's Eternal Life A story of a villain, Fang Yuan who was reborn 500 years into the past with the Spring Autumn Cicada he painstakingly refined. With his profound wisdom, battle and life experiences, he seeks to overcome his foes with skill and wit! Ruthless and amoral, he has no need to hold back as he pursues his ultimate goals. In a world of cruelty where one cultivates using Gu - magical creatures of the world - Fang Yuan must rise up above all with his own power. Humans are clever in tens of thousands of ways, Gu are the true refined essences of Heaven and Earth. The Three Temples are unrighteous, the demon is reborn. Former days are but an old dream, an identical name is made anew. A story of a time traveler who keeps on being reborn. A unique world that grows, cultivates, and uses Gu. The Spring and Autumn Cicada, the Venomous Moonlight Gu, the Wine Insect, All-Encompassing Golden Light Insect, Slender Black Hair Gu, Gu of Hope… And a great demon of the world that does exactly as his heart pleases!
The first English translation of Deng Yunte's study of famine relief throughout the history of China.
A washed up TV reporter stumbles onto a corruption scandal in Western China. Pursued through the desert by a psychotic spin-doctor and a world-weary cop, he discovers the real China: illegal metal mines, a fashion-crazed gang of girl bikers, a whole commune of Tiananmen Square survivors and the up-market sleaze-joints of Beijing. En route, he clashes with a stellar cast of people-traffickers, prostitutes and TV execs. But then the unquiet dead begin to intervene: ghosts from his own past and the past of Chinese Communism; the 'spirits that hover three feet above our heads' of Chinese folklore.
The Zhan Guo Ce, also known in English as the Strategies of the Warring States, is an ancient Chinese text that contains anecdotes of political manipulation and warfare during the Warring States period (5th to 3rd centuries bc).[1] It is an important text of the Warring States Period as it describes the strategies and political views of the School of Diplomacy and reveals the historical and social characteristics of the period. The Zhan Guo Ce recounts the history of the Warring States from the conquest of the Fan clan by the Zhi clan in 490 BC up to the failed assassination of Qin Shi Huang by Gao Jianli in 221 BC. The chapters take the form of anecdotes meant to illustrate various strategi...
The Twenty-Four Histories (Chinese: 二十四史) are the Chinese official historical books covering a period from 3000 BC to the Ming dynasty in the 17th century. The Han dynasty official Sima Qian established many of the conventions of the genre. Starting with the Tang dynasty, each dynasty established an official office to write the history of its predecessor using official court records. As fixed and edited in the Qing dynasty, the whole set contains 3213 volumes and about 40 million words. It is considered one of the most important sources on Chinese history and culture. The title "Twenty-Four Histories" dates from 1775 which was the 40th year in the reign of the Qianlong Emperor. This ...
A comprehensive introduction to mathematical structures essential for Rough Set Theory. The book enables the reader to systematically study all topics of rough set theory. After a detailed introduction in Part 1 along with an extensive bibliography of current research papers. Part 2 presents a self-contained study that brings together all the relevant information from respective areas of mathematics and logics. Part 3 provides an overall picture of theoretical developments in rough set theory, covering logical, algebraic, and topological methods. Topics covered include: algebraic theory of approximation spaces, logical and set-theoretical approaches to indiscernibility and functional dependence, topological spaces of rough sets. The final part gives a unique view on mutual relations between fuzzy and rough set theories (rough fuzzy and fuzzy rough sets). Over 300 excercises allow the reader to master the topics considered. The book can be used as a textbook and as a reference work.
This volume studies the evolution of Chinese art during the Qin and Han Dynasties, The Three Kingdoms, Eastern and Western Jin, and the Northern and Southern Dynasties. It traces the initial artistic vocabularies of Chinese calligraphy as well as the rapid development of the performing and the decorative arts. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
The essays in Powerful Arguments reconstruct the standards of validity underlying argumentative practices in a wide array of late imperial Chinese discourses, from the Song through the Qing dynasties. The fourteen case studies analyze concrete arguments defended or contested in areas ranging from historiography, philosophy, law, and religion to natural studies, literature, and the civil examination system. By examining uses of evidence, habits of inference, and the criteria by which some arguments were judged to be more persuasive than others, the contributions recreate distinct cultures of reasoning. Together, they lay the foundations for a history of argumentative practice in one of the richest scholarly traditions outside of Europe and add a chapter to the as yet elusive global history of rationality.