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My Assistant Is CEO
The personal assistant, the decathlon, was easy to handle, but shy in front of her: I, I'm your little fan. The haughty queen, a famous model in the industry, cold as ice and frost, yet she chose to eat the soft side rather than the hard side! The assistant poked her in the back and made a fool of herself, swearing to get the queen in her hands. Easily humorous, a different kind of warm love!
Chinese Clothing
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Historical Dictionary of Chinese Cinema
Motion pictures were introduced to China in 1896, and today China is a major player in the global film industry. However, the story of how Chinese cinema became what it is today is exceptionally turbulent, encompassing incursions by foreign powers, warfare among contending rulers, the collapse of the Chinese empire, and the massive setback of the Cultural Revolution. This book coversthe cinematic history of mainland China spanning across over one hundred and twenty years since its inception. Historical Dictionary of Chinese Cinema, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 200 cross-referenced entries on the major filmmakers, actors, and historical figures, representative cinematic productions, genre evolution, significant events and institutions, and market changes. This book is an excellent resource for students, researchers, and anyone wanting to know more about Chinese Cinema.
Territorializing the Chinese Nation-State
This book is the first annotated translation of the travelogues of Huang Maocai. A trained Chinese cartographer in the service of the imperial Qing state, he was officially deputed to ascertain the Tibet–India land route and the geopolitical status of British India in the nineteenth century. His travelogues are the first authoritative modern Chinese texts exploring the physical and ideological connections between China and India. Unpublished for a long time, and so far, unavailable in an English translation, these texts provide meaning to many key issues that enshroud the concepts of civilization and nation. An important contribution to the study of Sino–Indian interactions, it demonstrates Huang Maocai's keen observation of the geopolitics of the region. His vivid descriptions of Kolkata and nearby regions enlighten the Chinese perception of colonial India. This book will be an indispensable resource for students and researchers of nation, nationalism, civilization, empire, frontiers and borders, modern history, translation studies, Chinese studies, and Asian studies.
Fashion, Identity, and Power in Modern Asia
This edited volume on radical dress reforms in East Asia takes a fresh look at the symbols and languages of modernity in dress and body. Dress reform movements around the turn of the twentieth century in the region have received little critical attention as a multicultural discourse of labor, body, gender identity, colonialism, and government authority. With contributions by leading experts of costume/textile history of China, Korea, and Japan, this book presents up-to-date scholarship using diverse methodologies in costume history, history of consumption, and international trade. Thematically organized into sections exploring the garments and uniforms, accessories, fabrics, and fashion styles of Asia, this edited volume offers case studies for students and scholars in an ever-expanding field of material culture including, but not limited to, economic history, visual culture, art history, history of journalism, and popular culture. Fashion, Identity, and Power in Modern Asia stimulates further research on the impact of modernity and imperialism in neglected areas such as military uniform, school uniform, women’s accessories, hairstyles, and textile trade.
Reproductive Realities in Modern China
Sarah Mellors Rodriguez explores how ordinary people navigated China's shifting fertility policies before and during the One Child Policy era.
Transnational Chinese Cinemas
Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture.
The Oxford Handbook of the Bible in China
"The Oxford Handbook of the Bible in China deftly examines the Bible's translation, expression, interpretation, and reception in China. Forty-eight essays address the translation of the Bible into China's languages and dialects; expression of the Bible in Chinese literary and religious contexts; Chinese biblical interpretations and methods of reading; and the reception of the Bible in the institutions and arts of China. This comprehensive and unique volume presents insightful, succinct, and provocative evidence about and interpretations of encounters between the Bible and China for centuries past, continuing into the present, and likely prospects for the future"--
Hong Kong Popular Culture
This book traces the evolution of the Hong Kong’s popular culture, namely film, television and popular music (also known as Cantopop), which is knotted with the city’s geo-political, economic and social transformations. Under various historical contingencies and due to the city’s special geo-politics, these three major popular cultural forms have experienced various worlding processes and have generated border-crossing impact culturally and socially. The worlding processes are greatly associated the city’s nature as a reception and departure port to Sinophone migrants and populations of multiethnic and multicultural. Reaching beyond the “golden age” (1980s) of Hong Kong popular c...
