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Lin Qingshan, who had just entered this world, was acquainted with the first person here, Long Yifeng. A man who was as shy as a fool. Both of them were servants of the Li Family, a famous family in a small town at the eastern border of the Sky Dragon Empire. After getting drunk, the third young master of the Li family coveted Lin QIngshan's beauty. In a fit of rage, Lin QIngshan castrated the local aristocrat and fled to the central region of the Arthur Continent. After a series of events, he became the first empress of the continent.
The Routledge Handbook of Modern Chinese Literature presents a comprehensive overview of Chinese literature from the 1910s to the present day. Featuring detailed studies of selected masterpieces, it adopts a thematic-comparative approach. By developing an innovative conceptual framework predicated on a new theory of periodization, it thus situates Chinese literature in the context of world literature, and the forces of globalization. Each section consists of a series of contributions examining the major literary genres, including fiction, poetry, essay drama and film. Offering an exciting account of the century-long process of literary modernization in China, the handbook’s themes include:...
Lin Qingshan, who had just entered this world, was acquainted with the first person here, Long Yifeng. A man who was as shy as a fool. Both of them were servants of the Li Family, a famous family in a small town at the eastern border of the Sky Dragon Empire. After getting drunk, the third young master of the Li family coveted Lin QIngshan's beauty. In a fit of rage, Lin QIngshan castrated the local aristocrat and fled to the central region of the Arthur Continent. After a series of events, he became the first empress of the continent.
As the final volume of a multi-volume set on the Chinese language, this book studies the Western and Japanese influence on the lexicon of Modern Chinese, lexical developments in synonyms, idioms and proverbs in modern times, and lexical developments in contemporary times. This volume first introduces the influence of foreign cultures on the modern Chinese lexicon with an emphasis on loanwords from Japanese and Indo-European languages. It then discusses the synonyms, idioms, and proverbs of Modern Chinese, elucidating their evolution, sources, and composition. The final part centers on the development of the Chinese lexicon after the May Fourth Movement in 1919, marking the beginning of the contemporary phase of the Chinese language. The author analyzes trends and types of neologisms and loanwords and analyzes the blend of Mandarin and dialect words and the necessity of lexical standardization. Illustrated with abundant examples, this comprehensive groundwork on Chinese lexical history will be a must-read for scholars and students studying Modern Chinese language, linguistics, and especially for beginning learners of modern and contemporary Chinese lexicon.
This volume of the Biographical Dictionary of Chinese Women completes the four-volume project and contains more than 400 biographies of women active in the Tang through Ming dynasties (618-1644). Many of the entries are the result of original research and provide the only substantial information on women available in English. Of note is the inclusion of a large number of women who reached positions of authority during this period as well as women artists and writers, especially poets, during this period of increased female literacy and more liberal social attitudes to women's cultural roles. Wherever possible, entries incorporate translations of poems and sometimes prose works so as to let the women speak for themselves. The book also includes a multitude of entertainers and actresses. The volume includes a Guide to Chinese Words Used, a Chronology of Dynasties and Major Rulers, a Finding List by Background or Fields of Endeavor, and a Glossary of Chinese Names. It will prove to be a useful tool for research and teaching.
Lin Qingshan, who had just entered this world, was acquainted with the first person here, Long Yifeng. A man who was as shy as a fool. Both of them were servants of the Li Family, a famous family in a small town at the eastern border of the Sky Dragon Empire. After getting drunk, the third young master of the Li family coveted Lin QIngshan's beauty. In a fit of rage, Lin QIngshan castrated the local aristocrat and fled to the central region of the Arthur Continent. After a series of events, he became the first empress of the continent.
Using close readings of a range of premodern and modern texts, Atsuko Sakaki focuses on the ways in which Japanese writers and readers revised—or in many cases devised—rhetoric to convey "Chineseness" and how this practice contributed to shaping a national Japanese identity. The volume begins by examining how Japanese travelers in China, and Chinese travelers in Japan, are portrayed in early literary works. An increasing awareness of the diversity of Chinese culture forms a premise for the next chapter, which looks at Japan’s objectification of the Chinese and their works of art from the eighteenth century onward. Chapter 3 examines gender as a factor in the formation and transformatio...
The book provides highlights on the key concepts and trends of evolution in History of Chinese Martial Arts, as one of the series of books of “China Classified Histories”.
This book constitutes the proceedings of the 16th International Symposium on Research in Attacks, Intrusions and Defenses, former Recent Advances in Intrusion Detection, RAID 2013, held in Rodney Bay, St. Lucia in October 2013. The volume contains 22 full papers that were carefully reviewed and selected from 95 submissions, as well as 10 poster papers selected from the 23 submissions. The papers address all current topics in computer security ranged from hardware-level security, server, web, mobile, and cloud-based security, malware analysis, and web and network privacy.
A cultural and social history of art collecting, art history, and the art market In The Rare Art Traditions, Joseph Alsop offers a wide-ranging cultural and social history of art collecting, art history, and the art market. He argues that art collecting is the basic element in a remarkably complex and historically rare behavioral system, which includes the historical study of art, the market for buying and selling art, museums, forgery, and the astonishing prices commanded by some works of art. The Rare Art Traditions tells the story of three important traditions of art collecting: the classical tradition that began in Greece, the Chinese tradition, and the Western tradition. The result is a major original contribution to art history.