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I Shed My Skin
I Shed My Skin, A Furneaux Islands Story evolved out of an exhibition of Jane Giblin's artwork which toured Tasmania in 2019. It revolves around strangers who come to a remote land and learn how to win a living from it. Traditions and relationships to the Furneaux Islands, built since the 1890s, were consolidated across five generations. During the latter part of the twentieth century significant changes had to be met. Giblin travelled up and down the eastern seaboard of Australia interviewing her father's cousins in addition to some senior Furneaux community members. She knew there was art to be made and stories to tell from their island lives. She sought memories of her great grandparents,...
Tasmanian Tiger
A publication to accompany an exhibition of the same name that is yo be held at the Queen Victoria Museum and Art Gallery, starting May 2014.
Lola Greeno
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Tense Past
TENSE PAST documents Julie Gough's major survey show held at the Tasmanian Museum and Art Gallery, Hobart from 7 June-3 November 2019.This epic culmination-exhibition, curated by Dr Mary Knights, of 25 years of arts practice and exhibiting, reunited more than 30 artworks from collections across Australia. Resonant historic artworks and objects were co-exhibited with Julie's work to investigate and critique the colonisation of Tasmania and the aftermath-impacts on Aboriginal people and colonists.The publication also documents the installation MISSING OR DEAD which was part of the Dark Path activation on the Queens Domain during the 2019 Dark Mofo festival from 14-23 June 2019, as well as selected works since 2019 to the present day.
Friendly Mission
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Women Artists A to Z
An empowering and educational alphabet picture book about women artists, perfect for fans of Rad American Women A-Z. How many women artists can you name? From Frida Kahlo and Georgia O'Keeffe, to Jaune Quick-to-See Smith and Xenobia Bailey, this lushly illustrated alphabet picture book presents both famous and underrepresented women in the fine arts from a variety of genres: painting, drawing, sculpture, photography, and more. Each spread features a simple line of text encapsulating the creator's iconic work in one word, such as "D is for Dots" (Yayoi Kusama) and "S is for Spider" (Louise Bourgeois), followed by slightly longer text about the artist for older readers who would like to know m...
Non-toxic Printmaking
In this book, Mark Graver puts the case for non-toxic printmaking and then discusses the various technical factors (both materials and equipment) to consider when etching with acrylic resists, making aquatints, etching in general, using drypoint, engraving, making mezzotints and collagraphs and using photopolymers as well as combining various printmaking techniques. There is also information on various inks and health and safety measures in the printing workshop. All in all, this book contains everything you need to know to clean up your printmaking practice.
Illumination
Philip Wolfhagen is Australia's pre-eminent contemporary landscape painter and this exhibition is his first career survey. Featuring fifty works from public and private collections, Wolfhagen's ethereal and timeless landscapes depict a specific connection to land. This specially designed book features a 3,500 word essay by acclaimed Australian writer Tim Winton, 2 other essays by regarded curators, and an in- depth interview with the artist Philip Wolfhagen alongside 50 full colour plates of his beautiful work. Wolfhagen is highly sought after by collectors and is represented in all major public collections Australia and several overseas. This is a Newcastle Art Gallery and Tasmanian Museum and Art Gallery travelling exhibition that explores the continuity of the landscape painting tradition commenced in Tasmania by Eugene von Guerard and John Glover, and its relevance in contemporary Australian art.
Respecting Cultures
Provides a specifically Tasmanian perspective as a companion text to cultures designed to promote cultural harmony and goodwill and act as an important tool in managing the ethical use of Tasmanian Aboriginal culture and arts.
A Companion to Australian Art
A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own con...
