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Ray Booth’s debut monograph presents curated home interiors by this master of modern elegance. Trained as an architect, designer Ray Booth’s distinctively elegant, strikingly evocative spaces exude modernism while reflecting a sense of place and history. Booth’s creativity is palpable in spectacular homes demonstrating his ability to harmonize open-plan interiors with the surrounding landscape. Presented here are Booth’s most celebrated Nashville residences and never-before-seen projects in Palm Beach, Louisiana, New York, Texas, and the Hamptons. Each illustrates his innovative use of furniture as architecture to define rooms, draperies in place of walls, captivating displays of art...
A comprehensive survey of the theatre practice and dramatic literature of the Victorian period.
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Swoon is the first extensive study of literary swooning, homing in on swooning’s rich history as well as its potential to provide new insights into the contemporary. This study demonstrates that passing-out has had a pivotal place in English literature. Beginning with an introduction to the swoon as a marker of aesthetic sensitivity, it includes chapters on swooning and generic transformation in Chaucer and Shakespeare; morbid, femininised swoons and excessive affect in romantic, gothic, and modernist works; irony, cliché and bathos in the swoons of contemporary romance fiction. This book revisits key texts to show that passing-out has been intimately connected to explorations of emotionality, ecstasy and transformation; to depictions of sickness and dying; and to performances of gender and gendering. Swoon offers an exciting new approach the history of the body alongside the history of literary response.
Originally published in 1981. This study concentrates on one aspect of Victorian theatre production in the second half of the nineteenth century – the spectacular, which came to dominate certain kinds of production during that period. A remarkably consistent style, it was used for a variety of dramatic forms, although surrounded by critical controversy. The book considers the theories and practice of spectacle production as well as the cultural and artistic movements that created the favourable conditions in which spectacle could dominate such large areas of theatre for so many years. It also discusses the growth of spectacle and the taste of the public for it, examining the influence of painting, archaeology, history, and the trend towards realism in stage production. An explanation of the working of spectacle in Shakespeare, pantomime and melodrama is followed by detailed reconstructions of the spectacle productions of Irving’s Faust and Beerbohm Tree’s King Henry VIII.
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