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In the perspective-altering tradition of Malcolm Gladwell’s The Tipping Point and Nassim Nicholas Taleb’s The Black Swan comes a provocative challenge to how we think our world works—and why small, chance events can divert our lives and change everything, by social scientist and Atlantic writer Brian Klaas. If you could rewind your life to the very beginning and then press play, would everything turn out the same? Or could making an accidental phone call or missing an exit off the highway change not just your life, but history itself? And would you remain blind to the radically different possible world you unknowingly left behind? In Fluke, myth-shattering social scientist Brian Klaas ...
Fluke is the moving story of a dog with the memories of a human, with the signature twisting plot Master of Horror James Herbert is famed for. A dog wanders the streets, compelled by a ravenous hunger. Hunting a prey he cannot not define, driven by a primal instinct he cannot ignore. He is more than he thinks, more than he can remember and in the depths of his brain the memory of what he once was is clawing for release . . .
What are the chances?! This exclamation greets the scarcely believable coincidence – you’re picked up by the same taxi driver several years and thousands of miles apart or, in a second-hand bookshop far from home, you find your own childhood copy of Winnie-the-Pooh on the shelf. But the unlikely is more probable than you think. Against every fibre of common sense, the fact is that it’s quite likely that some squirrel, somewhere, will be struck by lightning as it crosses the road. The chaos and unpredictability of our lives is an illusion. There is a rational order to the universe, and it’s called mathematics. Fluke is a fascinating investigation into the true nature of chance, a must-read for maths enthusiasts and avid storytellers alike, it tears down the veil of improbability to reveal the wonderfully possible.
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Just why do humpback whales sing? That's the question that has marine biologist Nate Quinn and his crew poking, charting, recording and photographing very big, wet, gray marine mammals. That is, until the extraordinary day when a whale lifts its tail into the air to display a cryptic message spelled out in foot-high letters: BITE ME. Trouble is, Nate's beginning to wonder if he hasn't spent just a little too much time in the sun. 'Cause no one else saw a thing- not his longtime partner, Clay Demodocus; not their saucy young research assistant; not even the spliff-puffing white-boy Rastaman Kona (ne Preston Applebaum). But later, when a roll of film returns from the lab missing the crucial tail shot- and his research facility is trashed- Nate realizes something very fishy indeed is going on.