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In his day, R. Ellis Roberts was a well-known literary critic and writer. He contributed reviews and articles to a number of periodicals, including the Daily News, Observer, Empire Review, London Mercury, Bookman, Saturday Review, and Guardian. He was literary editor for the New Statesman and Time and Tide, and he hosted a book review programme for BBC Radio. In 1923, his only collection of uncanny short stories, The Other End, was published by Cecil Palmer and received glowing reviews. The critic for the Bookman declared the author 'as well able to write stories of his own as to criticise those of others', having achieved a mastery of his subject that at times 'challenges comparison with Poe and Hawthorne'. And Gerald Gould, in the Saturday Review, suggested that no nervous person should read the book when 'alone at night in a remote cottage on a lonely moor'. This new edition of The Other End includes four reviews written by R. Ellis Roberts about the work of Arthur Machen, of whom he was an admirer-for the Bookman, Daily News, and Sewanee Review-and a biographical essay by Gina R. Collia, 'R. Ellis Roberts: The Critic Who Read for Pleasure'.
Vols. 1-64 include extracts from correspondence.
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Catherine Clay's persuasively argued and rigorously documented study examines women's friendships during the period between the two world wars. Building on extensive new archival research, the book's organizing principle is a series of literary-historical case-studies that explore the practices, meanings and effects of friendship within a network of British women writers, who were all loosely connected to the feminist weekly periodical Time and Tide. Clay considers the letters and diaries, as well as fiction, poetry, autobiographies and journalistic writings, of authors such as Vera Brittain, Winifred Holtby, Storm Jameson, Naomi Mitchison, and Stella Benson, to examine women's friendships i...
Prophets Without Honour is a collective biography set in an extraordinary epoch of cultural history sometimes called “the Weimar Renaissance.” In a series of mini-portraits, Grunfeld has written a tribute to the German-speaking scientists, musicians, writers and artists who created European cultural life in the early twentieth century. All were evicted or murdered by the Nazis. Albert Einstein, Walter Benjamin, Sigmund Freud, Gustav Mahler, and Franz Kafka are the best-known of his subjects but Grunfeld includes such lesser-known figures as Else Lasker-Schüler, Ernst Toller, Gertrud Kolmar, Alfred Döblin, Erich Mühsam, Carl Sternheim, Kurt Tucholsky and Hermann Broch. Grunfeld summari...
The East End is an iconic area of London, from the transient street art of Banksy and Pablo Delgado to the exhibitions of Doreen Fletcher and Gilbert and George. Located east of the Tower of London and north of the River Thames, it has experienced a number of developmental stages in its four-hundred-year history. Originating as a series of scattered villages, the area has been home to Europe's worst slums and served as an affluent nodal point of the British Empire. Through its evolution, the East End has been the birthplace of radical political and social movements and the social center for a variety of diasporic communities. This reference work, with its alphabetically organized cross-referenced entries and its original and historical photography, serves as a comprehensive guide to the social and cultural history of this global hub.