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An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. Fictional reconstructions of the Gospels continue to find a place in contemporary literature and in the popular imagination. Present day writers of New Testament fiction and drama are usually considered as part of a tradition formed by mid-to-late-twentieth-century authors such as Robert Graves, Nikos Kazantzakis and Anthony Burgess. This book looks back further to the late-nineteenth and early-twentieth centuries, when the templates of the majority of today’s Gospel fictions and dramas were set down. In doing so, it examines the extent to which significant works of biblical scholarship both influenced and inspired literary works. Focusing on writers such as Oscar Wilde, George Moore and Marie Corelli, this timely new addition to the English Association Monographs series will be essential reading for scholars working at the intersection of literature and theology.
Despite the ridicule of reviewers, Marie Corelli (1855-1924) was the most popular novelist of her time. Federico (English, James Madison University) points out the creative, combative and contradictory nature of Corelli's participation in the culture, and argues that her attempts to create her own image illuminate continuing debates about literary value, class hegemony, and gender politics. Annotation copyrighted by Book News, Inc., Portland, OR
Few religious currents have been as influential as the Theosophical. Yet few currents have been so under-researched, and the Brill Handbook of the Theosophical Current thus represents pioneering research. A first section surveys the main people and events involved in the Theosophical Society from its inception to today, and outlines the Theosophical worldview. A second, substantial section covers most significant religions to emerge in the wake of the Theosophical Society - Anthroposophy, the Point Loma community, the I AM religious activity, the Summit Lighthouse Movement, the New Age, theosophical UFO religions, and numerous others. Finally, the interaction of the Theosophical current with contemporary culture - including gender relations, art, popular fiction, historiography, and science - are discussed at length.
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Today’s mass-market romances have their precursors in late Victorian popular novels written by and for women. In Modernism and the Women’s Popular Romance Martin Hipsky scrutinizes some of the best-selling British fiction from the period 1885 to 1925, the era when romances, especially those by British women, were sold and read more widely than ever before or since. Recent scholarship has explored the desires and anxieties addressed by both “low modern” and “high modernist” British culture in the decades straddling the turn of the twentieth century. In keeping with these new studies, Hipsky offers a nuanced portrait of an important phenomenon in the history of modern fiction. He puts popular romances by Mrs. Humphry Ward, Marie Corelli, the Baroness Orczy, Florence Barclay, Rebecca West, Elinor Glyn, Victoria Cross, Ethel Dell, and E. M. Hull into direct relationship with the fiction of Virginia Woolf, Katherine Mansfield, James Joyce, and D. H. Lawrence, among other modernist greats.
Philip Waller explores the literary world in which the modern best-seller first emerged, with writers promoted as stars and celebrities, advertising both products and themselves.
"Isola; or, The disinherited: A revolt for woman and all the disinherited" by Florence Lady Dixie. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.