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He claimed to be “the plainest kind of fellow you can find. There isn’t a single thing I’ve done, or experienced,” said Grant Wood, “that’s been even the least bit exciting.” Wood was one of America’s most famous regionalist painters; to love his work was the equivalent of loving America itself. In his time, he was an “almost mythical figure,” recognized most supremely for his hard-boiled farm scene, American Gothic, a painting that has come to reflect the essence of America’s traditional values—a simple, decent, homespun tribute to our lost agrarian age. In this major new biography of America’s most acclaimed, and misunderstood, regionalist painter, Grant Wood is r...
Peggy Guggenheim (1898 - 1979) challenged boundaries as a patron and collector. She is celebrated for her groundbreaking collection of European and American modern art. The volume will focus on a lesser-known but crucial episode in Guggenheim's own migratory path: her turn to the arts of Africa, Oceania, and the Americas in the 1950s and '60s. In these years, Guggenheim acquired works created by artists from cultures worldwide, including early twentieth-century sculpture from Mali, Côte d'Ivoire, and New Guinea, and ancient examples from Mexico and Peru. 'Migrating Objects' emerges from an extended period of research and discussion on this largely ignored area of Guggenheim's collection by a curatorial advisory committee, which has led to exciting findings, including the reattribution of individual works, among them the Nigerian headdress (Ago Egungun) produced by the workshop of Oniyide Adugbologe (ca. 1875-1949), which is illustrated in the catalogue.
“An example of how two men could—precariously and passionately—live together and love each other in the America of the 1930s and 1940s.” —Colm Tóibín, New York Times-bestselling author of The Magician After a chance meeting aboard the ocean liner Paris in 1924, Harvard University scholar and activist F. O. Matthiessen and artist Russell Cheney fell in love, and remained inseparable until Cheney’s death in 1945. During the intervening years, the men traveled throughout Europe and the United States, achieving great professional success while contending with serious personal challenges, including addiction, chronic disease, and severe depression. Situating the couple’s private c...
Catalogue of a traveling exhibition held at the Whitney Museum of American Art, New York, and other galleries.
With color photographs and artwork, Sisters in Art is the first biography to capture the lives and works of Margaret, Esther, and Helen Bruton, three exceptionally talented sisters whose mark on the California modernist art scene still impacts our world. Nominee, 2021 New Deal Book Award "Great stories abound in this book, including the goings-on of the 'Monterey Group' of painters and an encounter with a teetotaling Henri Matisse at a North Beach cocktail party. If California had a Belle Époque, this was it. From their chubby-cheeked 'Gibson Girl' childhood through their sunlit dotage, the Brutons were exemplars of many aspects of California history and, in recent years, overlooked. Good...
An encyclopedic sourcebook for camouflage enthusiasts in all research areas who want to explore the history and development of camouflage (artistic, biological and military) since the 19th century. Richly illustrated with historic photographs, diagrams and drawings. Includes subject timeline, bibliography and index.
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Unicorn Mountain, a Mythopoeic Fantasy Award winner for Best Novel, here appears in a re-edited and revised version in Michael Bishop's preferred text some thirty years after its original publication, when it was hailed for its adult focus, its gritty characters and situations, and its imaginative narrative elements, which include ranching in Colorado, Ute Indian lore, a Denver-based advertising firm, Swing Era music, an old Bendix TV set that transmits signals from an askew parallel Earth, and, last but no less disquieting, transdimensional migrations of living unicorns. These four characters dramatically animate Unicorn Mountain: * Elizabeth (Libby) Quarrels: a woman struggling to make a g...
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As Lucy Muchelney watches her ex-lover’s sham of a wedding, she wishes herself anywhere else. It isn’t until she finds a letter from the Countess of Moth, looking for someone to translate a groundbreaking French astronomy text, that she knows where to go. Showing up at the Countess’ London home, she hoped to find a challenge, not a woman who takes her breath away. Catherine St Day looks forward to a quiet widowhood once her late husband’s scientific legacy is fulfilled. She expected to hand off the translation and wash her hands of the project—instead, she is intrigued by the young woman who turns up at her door, begging to be allowed to do the work, and she agrees to let Lucy stay. But as Catherine finds herself longing for Lucy, everything she believes about herself and her life is tested. While Lucy spends her days interpreting the complicated French text, she spends her nights falling in love with the alluring Catherine. But sabotage and old wounds threaten to sever the threads that bind them. Can Lucy and Catherine find the strength to stay together or are they doomed to be star-crossed lovers?