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An introduction to the subject and the specific problems related to the conservation of modern structures. Celebrating the first five years of DoCoMoMo's role and influence, this collection covers policy, planning, and construction.
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In this second volume, Albert Boime continues his work on the social history of Western art in the Modern epoch. This volume offers a major critique and revisionist interpretation of Western European culture, history, and society from Napoleon's seizure of power to 1815. Boime argues that Napoleon manipulated the production of images, as well as information generally, in order to maintain his political hegemony. He examines the works of French painters such as Jacques-Louis David and Jean Auguste Dominique Ingres, to illustrate how the art of the time helped to further the emperor's propagandistic goals. He also explores the work of contemporaneous English genre painters, Spain's Francisco de Goya, the German Romantics Philipp Otto Runge and Caspar David Friedrich, and the emergence of a national Italian art. Heavily illustrated, this volume is an invaluable social history of modern art during the Napoleonic era. Stimulating and informative, this volume will become a valuable resource for faculty and undergraduates.—R. W. Liscombe, Choice
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Illustrated lining papers.
This original and innovative book examines a period in which the development of London was perhaps at its most intense, for in the opening decades of the nineteenth century a concerted attempt was made to transform the metropolis into a modern European capital. This study of London landscapes will be of relevance to a broad range of researchers, academics and those with a lively interest in architectural, social, economic and cultural history.
Before the modern growth of centralised government, the most important unit of administration was the county. Counties were run by Justices of the Peace sitting together at Quarter Sessions where, as well as trying criminal cases, they dealt with all county business. In the years between 1650 and 1830 a increasing proportion of their time and resources was taken up in erecting public buildings. Building by counties, taken together, represents a substantial and previously little noticed programme of public works. Unlike most other building works in this period, where the details of planning, building, execution and cost are lost, county building is well documented, allowing us to follow clear...
In Designing the British Post-War Home Fiona Fisher explores the development of modern domestic architecture in Britain through a detailed study of the work of the successful Surrey-based architectural practice of Kenneth Wood. Wood’s firm is representative of a geographically distinct category of post-war architectural and design practice - that of the small private practice that flourished in Britain’s expanding suburbs after the removal of wartime building restrictions. Such firms, which played an important role in the development of British domestic design, are currently under-represented within architectural histories of the period. The private house represents an important site in ...