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Vox Lycei 1976-1977
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Made in Canada
Leading Canadian artists, curators, and art historians from Douglas Coupland to Paul Bourassa look at questions of design and national identity in the 1960s.
Fashion
Controversial and unconventional, this collection examines Canadian identity in terms of the fashion worn and designed over the last three centuries, and the internal and external influences of those socio-cultural decisions.
Vox Lycei 1978-1979
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Contemporary Clay and Museum Culture
This groundbreaking book is the first to provide a critical overview of the relationship between contemporary ceramics and curatorial practice in museum culture. Ceramic objects form a major part of museum collections, with connections to anthropology, archaeology and other disciplines that engage with the cultural and social history of humankind. In recent years museums have provided the impetus for cutting-edge artistic practice, either as a response to particular collections, or as part of exhibitions. But the question of how museums have staged contemporary ceramics and how ceramic artists respond to museum collections has not been the subject of published research to date. This book exa...
Ceramics in the Victorian Era
This book broadens the discussion of pottery and china in the Victorian era by situating them in the national, imperial, design reform, and domestic debates between 1840 and 1890. Largely ignored in recent scholarship, Ceramics in the Victorian Era: Meanings and Metaphors in Painting and Literature argues that the signification of a pot, a jug, or a tableware pattern can be more fully discerned in written and painted representations. Across five case studies, the book explores a rhetoric and set of conventions that developed within the representation of ceramics, emerging in the late-18th century, and continuing in the Victorian period. Each case study begins with a textual passage exemplify...
Transnational Discourses in Nordic Design
Challenging the stereotypes of Scandinavian design, these essays explore design in Denmark, Norway and Sweden and assess the different roles that Finland and the wider Nordic region had in forming an image of Scandinavian design throughout the world. By examining the legacy of Nordic design and its global impact, editors Astrid Skjerven and Rachel Gotlieb shed light on the development of national and regional design identities and their historical associations. Authors investigate the transnational circulation of ideas throughout the later 20th century and consider the influences on design practices, production and consumerism. They look at how different countries negotiated and promoted Nor...
The Centennial Cure
"This book examines the intersection of state policy, cultural development, and commemoration during Canada's 1967 centennial celebrations. It explores four initiatives that were undertaken in Nova Scotia to mark this anniversary, and demonstrates one province's response to Lamontagne's appeal to stem Canada's cultural poverty. These initiaties also reflected those larger social, cultural, economic, and political transformations that took place in postwar Nova Scotia. Further they help us understand the province's experience within the broader context of the development of modern Canadian cultural and social history."--
The Portland Vase
Die antike römische Portlandvase aus Überfangglas gehört zu den Schätzen des Britischen Museums und ist zugleich eine globale »Marke«, die seit Jahrhunderten bei Kunsthandwerker:innen, Sammler:innen und Käufer:innen hoch im Kurs steht und unzählige Male kopiert und neu interpretiert wurde. Der Band geht der spannenden Frage nach, warum und auf welche Weise die einmalige antike Vase über Zeit und Raum hinweg zur legendären künstlerischen und kommerziellen Muse oder, wie man heute sagen würde, »Influencerin« für Kunstschaffende wie Josiah Wedgwood, Viola Frey, Chris Wight, Michael Eden, Nicole Cherubini, Clare Twomey und Roberto Lugo wurde. Anhand von mehr als 65 Werken und reich bebildert wird die Rolle von Marken in unserer Kultur untersucht und erklärt, warum klassische Traditionen den künstlerischen Kanon dominieren und wie diese Traditionen neu gedacht und revolutioniert werden können.
