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This engaging book highlights the role of blue paper in the history of drawing. The rich history of blue paper, from the late fifteenth to the mid-eighteenth centuries, illuminates themes of transcultural interchange, international trade, and global reach. Through the examination of significant works, this volume investigates considerations of supply, use, economics, and innovative creative practice. How did the materials necessary for the production of blue paper reach artistic centers? How were these materials produced and used in various regions? Why did they appeal to artists, and how did they impact artistic practice and come to be associated with regional artistic identities? How did commercial, political, and cultural relations, and the mobility of artists, enable the dispersion of these materials and related techniques? Bringing together the work of the world’s leading specialists, this striking publication is destined to become essential reading on the history, materials, and techniques of drawings executed on blue paper.
SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2024 A vital re-examination of the trailblazing and controversial artist Paul Gauguin - and the first full biography in over thirty years - written by the award-winning author of I Am Dynamite!: A Life of Nietzsche. *Gorgeously illustrated with 70 full-colour images* 'Scintillating.' FINANCIAL TIMES 'Phenomenal.' PROSPECT 'A vivid, revisionist picture.' DAILY TELEGRAPH 'Witty and bold.' LUCY HUGHES-HALLETT Paul Gauguin is chiefly known as the giant of post-Impressionist painting whose bold colours and compositions rocked the Western art world. It is less well known that he was a stockbroker in Paris and that after the 1882 financial c...
Moving first-hand accounts of Jewish resistance during the Holocaust are supported by photographs, ritual objects, and art produced clandestinely by Jews in ghettos and camps. Several entries are from well-known resistance figures such as Abba Kovner, the first to raise a cry for armed Jewish resistance; Rabbi Leo Baeck, who spearheaded attempts to save German Jewry; and Dr. Janusz Korczak, who protected 200 orphans in the Warsaw Ghetto. This anthology of written and visual materials illustrates the tremendous resourcefulness, diverse methods, and daring initiatives of Jewish men and women in occupied countries who risked their lives defying their Nazi oppressors, saving their fellow Jews, and preserving their Jewish traditions.
Maria R. Grasso’s monograph on the twelfth-century illustrated vita of Saint Amand, Valenciennes, Bibliothèque municipale MS 500, presents new information regarding its contents. The author’s discovery and analysis of a second almost complete set of preliminary drawings beneath another set of the same drawings demonstrates that important alterations were made prior to the execution of the cycle. Grasso’s discussion includes the probable reason for the change: the isolation of the terminating folio depicting the soul of Amand. This important devotional image is the focus of detailed analysis since the soul of Amand rests in the lap of a male figure she convincingly identifies as Christ, an extremely unusual placement for the soul of a saint, demonstrating the creativity of the artists.
An extraordinary history of Netherlandish drawing, focused on the training and skill of artists during the long 17th century With a lively narrative thread and thematic chapters, this book offers an exceptional introduction to Dutch and Flemish drawing during the long 17th century. Victoria Sancho Lobis discusses the many roles of drawing in artistic training, its function in the production of works in other media, and its emergence as a medium in its own right. Beautifully illustrated with some 120 drawings by artists including Rembrandt van Rijn, Peter Paul Rubens, Hendrick Goltzius, Gerrit von Honthorst, and Jacob De Gheyn, this book surveys current methodologies of studying these works and features a brief history of Dutch papermaking and watermarks as well as a glossary. Paying careful attention to materials and techniques, and informed by recent conservation treatments, Lobis explains how to look at these drawings as records of experimentation and skill, true windows into the artist’s mind.
"This catalogue examines one of the most important educational tools and sources of inspiration for Western artists for over five hundred years: drawing after the Antique. From the Renaissance to the 19th century, classical statues offered young artists idealised models from which they could learn to represent the volumes, poses and expressions of the human figure and which, simultaneously, provided perfected examples of anatomy and proportion. For established artists, antique statues and reliefs presented an immense repertory of forms that they could use as inspiration for their own creations. Through a selection of thirty-nine drawings, prints and paintings, covering more than four hundred years and by artists as different as Federico Zuccaro, Hendrick Goltzius, Peter Paul Rubens, Charles-Joseph Natoire, Henry Fuseli and Joseph Mallord William Turner, this catalogue provides the first overview of a phenomenon crucial for the understanding and appreciation of European art."--Page 2 of cover.
Catalogue accompanies exhibition held 3 May - 15 July 2018, Gilbert and Ildiko Butler Drawings Gallery, The Courtauld Gallery, London.
This is a book full of tips, tricks, and resources for women who are either working as business owners, or thinking of starting up their own business. Natalie shares things that work for her, and stories from other successful women entrepreneurs, as well.