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Through heartbreaking, often comic, genre-non-conforming pieces spanning the past 10 years, Rachel Zucker trains her relentless attention on marriage, motherhood, grief, the need to speak, depression, sex, and many other topics. Part poetry, part memoir, part lyric essay—and not limited by any of these categories—SoundMachine is a book written out of the persistent feeling that the human voice is both a meaningless sound and the only way we know we exist.
Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and Af...
A brutally honest epic of domestic proportions.
Winner of the Strousse Award fro Best Group of Poems (2002) In Rachel Zucker's re-imagining of the Greek myth, Persephone is a daughter struggling to become a woman. Unlike the classical portrait of a maiden kidnapped by a tyrant, Zucker's Persephone chooses to travel to the Underworld and assume her role as Hades' queen. Caught between worlds—light and dark, innocence and power, a mother's protection and a lover's appeal—Persephone describes the strangeness of the Underworld and the problems of transformation and transgression. The arrangement of Zucker's poems reflects Persephone's travels between the Underworld and the Surface. Both spare and lyrical, they are written as entries in Persephone's diary and as letters between Persephone, Demeter, and Hades. The language—strange, urgent, direct—is pulled and changed as Persephone journeys from one world to another revealing the struggle of unmaking and remaking the self.
"Rachel Zucker returns to themes of motherhood, marriage, and the life of an artist in this double collection of poems. FABLES, written in prose form, shows the reader different settings (mountains, ocean, Paris) of Zucker's travels and meditations on place. THE PEDESTRIANS brings us back to her native New York and the daily frustrations of a woman torn by obligations."--Publisher's website.
The poems in this anthology document the political and personal events of the president's crucial first days through a variety of contemporary poetic voices.
Short essays by women poets on mentoring women poets; includes poems by the subjects and authors.
Provides an overview of Johann Gottfried Herder's aesthetics, interpreted as a naturalist theory with transformative historical significance for European philosophy.
A wide-ranging and original interpretation of Kant's Critique of Judgment.
The poems in The Off-Season are populated with things--'90s TV shows, mixtapes, crosstown buses, winter beaches--signifiers that trace a trajectory from girlhood to adulthood and bring to the surface feelings and desires that ordinarily stay hidden. We witness the strangeness of modern life, relive our own adolescent awkwardness and listen in on conversations with dead poets, TV characters, family members and intimates. With humor, fierceness and generosity, The Off-Season grapples with the question of how to be in the world.