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When twins Phoenix and Kale discover that they are not human, as they previously believed, but rather that they are a hybrid mix of the malevolent races of vampires and werewolves, they are thrust into a dangerous world of murderous uncles, strange family friends, and power they never knew they had. It is up to them to settle the feud dividing their ancestors by any means necessary.
After powering the Chest of Souls, Brenna's severed from her ability to love and that isn't all that's missing. She has made her choice and it isn't Talon.Her plan is to save as many lives as she can before Sogo falls.Logic rules her days and remorse rules her nights.Talon survived Day of Air and must survive the coming days of Water, Fire, and Earth - ending with the travesty of the blood sport called Cubes. He thought the greatest test was when the Chest of Souls was powered, but his greatest challenge lies ahead.He has to find a way to heal the division between Brenna and himself and if he can't, he has to ask himself if he loves her enough to do what must be done, no matter what?
Picturing Pity is the first full length monograph on missionary photography. Empirically, it is based on an in-depth analysis of the published photographs taken by Norwegian evangelical missionaries in Northern Cameroon from the early nineteen twenties, at the beginning of their activities in this region, and until today. Being part of a large international movement, Norway sent out more missionaries per capita than any other country in Europe. Marianne Gullestad's main contention is that the need to continuously justify their activities to donors in Europe has led to the creation and maintenance of specific ways of portraying Africans. The missionary visual rhetoric is both based on earlier visualizations and has over time established its own conventions which can now also be traced within secular fields of activity such as international development agencies, foreign policy, human relief organizations and the mass media. Picturing Pity takes part in the present "pictorial turn" in academic teaching and research, constituting visual images as an exciting site of conversation across disciplinary lines.
UM TEXTO ÁGIL. Sem vírgulas. Traz a história de um personagem que sofre os efeitos colaterais de uma sociedade que vive uma evolução tecnológica e um fracasso nas relações humanas. Ruy Marino carrega muitas derrotas. E sua maior angústia é o desaparecimento de sua irmã gêmea. Com esses acontecimentos surge então uma jornada cheia de desa os e signi cados para sua vida. "O melhor lugar para se guardar um segredo é dentro de um livro." A CIDADE EVOLUIU . Mas suas ruas viraram um pântano. Em um futuro não muito distante a sociedade está empacada entre o sucesso e o fracasso. Luxo e modernidade convivem com ruas lamacentas e pessoas indiferentes umas com as outras. Ruy é mais um que prefere não manter muitos contatos. Perdeu a família e o emprego. E agora mora apenas com um jacaré banguela que se refugiou em sua casa. Mas novos acontecimentos o desafiam a encarar esse mundo que se tornou tão difícil para ele. Faz amizades improváveis. Sente sua vida se movimentar. E resolve reabrir o velho baú de sua irmã desparecida há 20 anos. Encontra livros e anotações sobre o poeta Joan Raen. Basta saber se Ruy suportará essa viagem de retorno à sua essência.
Thirty years after Commander Bob Cartwright and the crew of Apollo 18 are inexplicably lost, Cartwright's sons make a shocking discovery: the capsule that came down in the Pacific Ocean with three charred remains was not their father's. A ruthless group will stop at nothing to preserve the secret behind the fate of the Apollo 18 astronauts.
The book commences with a discussion of the policy issues as to whether Australia needed submarines and then the decision to buy AE1 and AE2. It then goes through their coming to Australia, the tragic loss of AE1 in New Guinea on 14 September 1914 and the bravery and daring of the AE2 crew in penetrating the Dardanelles on Anzac Day in 1915. The history then goes on to deal with the J-Class submarines that came to Australia in 1919, the first Oxley and Otway (which went to the RN in the Depression in 1931), and the fact that in World War Two, Australia had no submarines except for the Dutch K IX whose career ended with a battery explosion in 1944. Then the period of the RN Fourth Submarine S...
Science fiction loves strangeness. It relishes oddities, even when it piles on fear and dystopian loathing. The technical term for a fascination with the strange and alien is xenophilia, just as the term for a terror of the strange is xenophobia. At its core, then, science fiction is...Xeno Fiction. So science fiction seeks out the strange, roams far from home in space and time, looks with avid eagerness upon the ways of the Others, human or alien. It participates, in brilliantly lighted imagination, in their strange lives. In this second gathering from Van Ikin's critical journal, Science Fiction: A Review of Speculative Literature, writers of the alien are investigated with wit and insight...
The Cherryh Odyssey brings together a dozen essays about respected science fiction and fantasy author C. J. Cherryh. Fellow author and academic Edward Carmien has gathered top voices in the field to discuss the literary life and career of Cherryh, including Burton Raffel, Jane Fancher, Janice Bogstad, Betsy Wollheim, and many others. A substantial bibliography rounds out this collection. The Cherryh Odyssey is a text fans of the author will find invaluable, as will writers new to the field, as it presents a readable yet in-depth examination of many issues relevant to this award-winning author's literary life and career. Scholars will find this blend of academic and professional voices a compelling resource for further research.
Media Boundaries and Conceptual Modelling forms part of the humanities tradition by facing one of the fundamental problems since antiquity: how different media represent the world we live in. It intersects also with the digital by addressing the problem with the help of a digital humanities method: computer assisted conceptual modelling. And it acknowledges the spatial turn by investigating the boundary between what has traditionally been the two main media for representation of geospatial information: texts and maps. It contributes to the further development of digital humanities and bridges the two areas of digital humanities and intermedia studies. Further, it strengthens the theoretical foundation for research and teaching in spatial digital humanities. The book meets the lack of critical discussion of the practice of digital mapping, offering a theoretically based understanding of such practices from a humanities perspective. More generally, it contributes to the theoretical discussion of modelling in digital humanities.
Brenna is isolated. Courtesy of Nez, the ruler of Sogo, she now has a Temis Belt to accompany the Suque he infected her with. As a result, she is possessed and no longer has access to her power. Meeting Talon in dreams is no longer safe because the Suque has made plans to betray Nez and rule Sogo - at Talon's side. Until the city falls, she'll have to rely on wit and will to deal with the Suque, the Temis Belt, Nez, and his army of Nightshades. She fears she is no match for all that has combined against her.Talon is out of time Brenna claims she loves him, but she remains in Sogo with Nez - by choice. He doesn't agree with her reasoning. Each time he comes close to gaining her freedom, something or someone stands in his way. He's done all that's been asked of him and more. If she doesn't come to him, he will go to her. His choice will end in death or finally having a life with Brenna, who may or may not choose him. It's a chance he's willing to take.