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Ai Ladki is prose in poetry, the tale of an old woman awaiting death and musing about her life. Without any fear of the imminent death, she is eager to start all over. The book describes the life instinct, the undaunted will to live.
This volume discusses the past, present and future perspectives of literature in Japan, China and South Korea and its interface with India. Since this being a largely unexplored area, an attempt has been made to present a true picture of the literature and cultural milieu of the East Asian countries to the readers through well researched, thought-provoking and enlightening papers contributed by eminent scholars from India, Japan, China and Korea. It is a historical fact that India maintained strong cultural ties with East Asian countries directly or indirectly through religion and culture since ancient times. This cultural bond has become all the more significant and meaningful in this age o...
Rural narratives after Premchand remained unnoticed because of not being written in English. Rural India and Peasantry: Ethnography in stories after Premchand is a study of literary representation of rural life in a vast expanse of land designated as the Hindi Heartland. What lends unique strength to this work is that after Premchand, fictional narrative has not really been dealt with such scholarly seriousness or contextualized in the socio-economic scenario of the rural world and peasantry. More than thirty stories discussed in ten chapters, inherit a strong tradition of peasant narratives since the times of Premchand, exposing the reader to an intricate array of messy complications and co...
A book that showcases experimentalism in modern Hindi poetry.
Suryakant Tripathi ‘Nirala’ was among the maverick writers who shaped modern Hindi literature. In his prose writings—fearless, provocative and startlingly original, much like his poetry—Nirala regards the world with the eyes of a compulsive satirist, committed to laying bare its hypocrisies. A Portrait of Love is an ode to Nirala’s genius, drawing attention to his long-ignored legacy in prose. From his poignant yet humorous sketch of rural India in Billesur Bakriha to the sophisticated urbanity of Lucknow in ‘Portrait of a Lady-Love’; from questioning the ideals of marriage and love in ‘Sukul’s Wife’ to celebrating the nexus between writers and courtesans in colonial Calcutta in ‘What I Saw’; from hailing agency among the oppressed castes in ‘Chaturi Chamar’ to shining a light on an uneasy relationship between education and progress in ‘Jyotirmayee’—this collection sparkles with wit, atmosphere and an unmistakable autobiographical streak, taking readers to the heart of India and introducing them to the colourful cosmos of Hindi literature.
What India’s founders derived from Western political traditions is widely understood. Less well-known is how India’s own rich knowledge traditions of 2,500 years influenced these men. Vajpeyi furnishes this missing account, showing how five founders turned to classical texts to fashion an original sense of Indian selfhood.
How is a writer formed? Yes, through labour, commitment, perseverance, grit and various other things that we keep hearing about. But equally, a writer is formed through the workings of a particular kind of sensibility. As Vineet Gill attempts to understand this writerly sensibility in Nirmal Verma's life and work, he finds that the personal and the literary are, on some level, inseparable. In this masterly deep dive into the world of one of Hindi literature's pioneers, Gill looks at the scattered elements of Verma's life as ingredients that went into the making of the writer. The places he lived in, the people he knew, the books he read are all reflected, in Gill's view, in Verma's stories and novels. This is a work of intense readerly analysis and considered excavation-a contemplation on Verma's oeuvre and its place in world literature.
English Heart, Hindi Heartland examines Delhi’s postcolonial literary world—its institutions, prizes, publishers, writers, and translators, and the cultural geographies of key neighborhoods—in light of colonial histories and the globalization of English. Rashmi Sadana places internationally recognized authors such as Salman Rushdie, Anita Desai, Vikram Seth, and Aravind Adiga in the context of debates within India about the politics of language and alongside other writers, including K. Satchidanandan, Shashi Deshpande, and Geetanjali Shree. Sadana undertakes an ethnographic study of literary culture that probes the connections between place, language, and text in order to show what lan...