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George Grosz
"George Grosz (1893-1959) spent more than half of his creative career in the United States. The numerous paintings, watercolors, and drawings from all of the important groups of works from the American period, most of which have been newly photographed and are included here as full-page reproductions, refute the widespread opinion that Grosz's work lost its much-admired bite after he moved to New York. While his apocalyptic paintings prove that he was a visionary opponent of war and oppression, his unrivaled illustrations for the great authors of the period and for magazines like Esquire testify to Grosz's mastery of drawing." --Book Jacket.
George Grosz
George Grosz (1893-1959) was a prominent member of the Berlin Dada and New Objectivity group. He was born Georg Ehrenfried Groß in Berlin, but changed his name in 1916 out of a romantic enthusiasm for America. Anti-Nazi, Grosz left Germany in 1932, and in 1933 was invited to teach at the Art Students League of New York, where he would teach intermittently until 1955. Over 500 illustrations, drawings, and paintings in this book document the entire output of the artist's German and American years, including drawings spanning from when the artist was the age of fifteen to his paintings made during his U.S. period. Also included are sketches of stage designs he created between 1919-1954 for theatre pieces by Bernard Shaw, Iwan Goll, Georg Kaiser, Paul Zech, and Jaroslav Kaek, as well as numerous collages. The volume is complete with unpublished photographs from the painter's private life and two essays by Enrico Crispolti and Philippe Dagen.
A Modern Miscellany
In A Modern Miscellany: Shanghai Cartoon Artists, Shao Xunmei’s Circle and the Travels of Jack Chen, 1926-1938 Paul Bevan explores how the cartoon (manhua) emerged from its place in the Chinese modern art world to become a propaganda tool in the hands of left-wing artists. The artists involved in what was largely a transcultural phenomenon were an eclectic group working in the areas of fashion and commercial art and design. The book demonstrates that during the build up to all-out war the cartoon was not only important in the sphere of Shanghai popular culture in the eyes of the publishers and readers of pictorial magazines but that it occupied a central place in the primary discourse of Chinese modern art history.
Postcards from Absurdistan
A sweeping history of a twentieth-century Prague torn between fascism, communism, and democracy—with lessons for a world again threatened by dictatorship Postcards from Absurdistan is a cultural and political history of Prague from 1938, when the Nazis destroyed Czechoslovakia’s artistically vibrant liberal democracy, to 1989, when the country’s socialist regime collapsed after more than four decades of communist dictatorship. Derek Sayer shows that Prague’s twentieth century, far from being a story of inexorable progress toward some “end of history,” whether fascist, communist, or democratic, was a tragicomedy of recurring nightmares played out in a land Czech dissidents dubbed ...
Unidentified Flying Object for Contemporary Architecture
The first monographic publication focused on the Florentine UFO group (1968-1978), that conducts a historical analysis of its work, reveals its close relationship with the contemporary artistic, literary and architectural avant-garde and, finally, investigates its legacy for the contemporary project. The contemporary context is defined by a unique conjuncture. On one hand, we witness the revival of the Radical Architecture that from the avant-garde experiments of the origins recovers creative processes and iconographic fragments while nullifying the original ideological and political values. On the other hand, we see social protests in defense of fundamental rights of democracy, as in 1968. ...
Glitter and Doom
In the 1920s Germany was in the grip of social and political turmoil: its citizens were disillusioned by defeat in World War I, the failure of revolution, the disintegration of their social system, and inflation of rampant proportions. Curiously, as this important book shows, these years of upheaval were also a time of creative ferment and innovative accomplishment in literature, theater, film, and art. Glitter and Doom is the first publication to focus exclusively on portraits dating from the short-lived Weimar Republic. It features forty paintings and sixty drawings by key artists, including Otto Dix, Max Beckmann, and George Grosz. Their works epitomize Neue Sachlichkeit (New Objectivity)...
A Regulatory Framework for the Art Market?
This book addresses practical issues in connoisseurship and authentication, as well as the legal implications that arise when an artwork’s authenticity is challenged. In addition, the standards and processes of authentication are critically examined and the legal complications which can inhibit the expression of expert opinions are discussed. The notion of authenticity has always commanded the attention of art market participants and the general art-minded public alike. Coinciding with this, forgery is often considered to be the world’s most glamorous crime, packed with detective stories that are usually astonishing and often bizarre. The research includes findings by economists, sociolo...
“The” Drawings
The first book to publish the entirety of Franz Kafka's graphic output, including more than 100 newly discovered drawings The year 2019 brought a sensational discovery: hundreds of drawings by the writer Franz Kafka (1883-1924) were found in a private collection that for decades had been kept under lock and key. Until now, only a few of Kafka's drawings were widely known. Although Kafka is renowned for his written work, his drawings are evidence of what his literary executor Max Brod termed his "double talent." Irresistible and full of fascinating figures, shifting from the realistic to the fantastic, the grotesque, the uncanny, and the carnivalesque, they illuminate a previously unknown sid...
Nothing but the Clouds Unchanged
Much of how World War I is understood today is rooted in the artistic depictions of the brutal violence and considerable destruction that marked the conflict. Nothing but the Clouds Unchanged examines how the physical and psychological devastation of the war altered the course of twentieth-century artistic Modernism. Following the lives and works of fourteen artists before, during, and after the war, this book demonstrates how the conflict and the resulting trauma actively shaped artistic production. Featured artists include Georges Braque, Carlo Carrà, Otto Dix, Max Ernst, George Grosz, Ernst Ludwig Kirchner, Oskar Kokoschka, Käthe Kollwitz, Fernand Léger, Wyndham Lewis, André Masson, László Moholy-Nagy, Paul Nash, and Oskar Schlemmer. Materials from the Getty Research Institute’s special collections—including letters, popular journals, posters, sketches, propaganda, books, and photographs—situate the works of the artists within the historical context, both personal and cultural, in which they were created. The volume accompanies a related exhibition on view at the Getty Research Institute Gallery from November 25, 2014, to April 19, 2015.
Hand and Head
Springer sees in it, not a harsh condemnation of militarism, but a marked ambivalence in the artist's attitude toward war. This new reading of the painting grows out of Springer's assessment of its imagery in relation to patronage, gender relations, and national identity - and particularly to propaganda and satire. Using Kirchner's letters and other documentation, much of it only recently available, Springer reconstructs the years of Kirchner's military service.
